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Lars Von Trier Has Almost Completed the Screenplay For His Final Film

Lars Von Trier is working on the 15th—and likely final—film of his career, “After,” and according to his producer, Peter Aalbæk Jensen, the screenplay is supposed to be completed this month

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Mel Gibson Says ‘Resurrection of the Christ’ Not in Aramaic Because the Story Is Too “Complex” for Subtitles

Gibson isn’t shooting the sequels in Aramaic and Latin. They’re in English. He now explains the decision, saying the material became too complicated to ask audiences to process through subtitles.

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David Ellison Ready to Sign Three-Year Deal Promising 30 Paramount/Warner Bros. Movies a Year in Theaters

Paramount/Skydance’s David Ellison is making a big promise to theater owners as he tries to get that proposed $110 billion Warner Bros. Discovery deal across the finish line.

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‘Spider-Man: Brand New Day’ Dominates With $145M Second Weekend as Sexless ‘One Night Only’ Bombs With $5M

“Spider Man: Brand New Day” with the highest 10-day domestic run ever. Through tomorrow, the US total will be $653M, and $1.7 billion worldwide. Talk about a blockbuster—this is the definition of one.

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Confirmed: ‘Digger’ Runtime is Actually 2 Hours 8 Minutes

Iñárritu is certainly one to indulge. His last film, “Bardo,” ran 159 minutes, while “The Revenant” was 156 minutes, “Biutiful” 148 minutes, “Babel” 143 minutes, and “Amores Perros” 154 minutes.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Tony Gilroy Confirms $650M Price Tag for ‘Andor’ as Disney Tells Him “Streaming is Dead”

June 1, 2025 Jordan Ruimy

Tony Gilroy’s “Andor” is many things — prestige TV, political sci-fi, the best Star Wars since the ‘80s — but cheap it is not.

At the ATX Television Festival this week, Gilroy casually confirmed what insiders have been whispering for a while now: “Andor” cost over $650M to make. Let me repeat that. Six hundred and fifty million dollars. For 24 episodes. Of a Star Wars show. On a streaming platform Disney now says was never really worth the investment (a little about that later).

“Never took a note,” Gilroy said. “For Disney, this is $650M.” You almost have to respect the man’s delivery, and honesty.

“Andor,” blowing past every prior Star Wars production, even the sequels, wasn’t on my bingo card. That’s more than “The Last Jedi” and “The Force Awakens.” Combined with the cost of Season 1, the total now reportedly eclipses the budgets of the entire original trilogy — by over 10 times.

The insane budget covers two seasons, sure, but let’s not pretend this didn’t go off the rails a bit. Production was stop-and-go — filming began in 2022, got sidelined by the strikes, and didn’t wrap until February 2024.

Gilroy also confirmed what many suspected: Disney gave him a long leash. “We fought hard about money,” he said, “but they never cleaned anything up.” This from the same studio that’s now openly walking back its streaming ambitions. Gilroy actually stated that, while negotiating for the budget, Disney told him “streaming is dead.” But before they bailed on the streaming game, they threw one last Hail Mary into the content void — and that was” Andor.”

There’s something kind of hilarious about Disney saying, “We’re out of the streaming wars,” after letting Gilroy build his sci-fi opera with the budget of a Marvel movie. But you know what? Fans will take it.

← Ryan Coogler Claims No ‘Sinners’ Sequel: “It Was Always Meant to be Standalone”Early 3-Hour Cut of ‘Project Hail Mary’ Stuns: Could 2025 Push Be Next? →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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