• Critics Polls
  • Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_9170.jpeg
Noah Jupe Joins ‘Avengers: Secret Wars’ in Mystery Role

Anthony and Joe Russo are directing, and the secrecy surrounding Jupe’s character naturally leaves plenty of room for rumors about whether he could be connected to an established Marvel character,

Read more →
IMG_9169.jpeg
Janicza Bravo’s ‘PRƎPPY’ to Star Kit Connor and Diana Silvers — ‘Zola’ Filmmaker’s First Feature Since 2020

It’s been six years since Janicza Bravo last directed a feature, with her acclaimed 2020 black comedy “Zola” marking her most recent film behind the camera.

Read more →
IMG_9165.webp
Vincent Gallo Turned Down Venice Premiere for James Franco-Starring ‘The Policeman’: “He Wanted Competition”

Alberto Barbera revealed to Variety that the Venice Film Festival “almost” took Gallo’s film starring Franco, but — if you can believe it — Gallo ultimately decided against participating.

Read more →
IMG_9164.jpeg
Vivian Kubrick Says ‘Eyes Wide Shut’ Was “Picture Locked” Before Her Father’s Death: No Missing Scenes

There’s been a long-running debate over whether “Eyes Wide Shut” was the version Stanley Kubrick intended to release. Warner Bros. maintains that no frames were removed, despite claims to the contrary.

Read more →
IMG_9158.jpeg
Michael Keaton to Direct, Star Alongside Morgan Freeman in ‘Rode to Ruin’ Western

Here comes a project with potential—Michael Keaton is set to direct and star opposite Morgan Freeman in “Rode to Ruin,” an original Western thriller written by R. Dean McCreary.

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • Critics Polls
  • Yearly Top Tens
  • Interviews

‘Sinners' Left Off Rolling Stone’s Top 20 of 2025 — Hive Mind Meltdown Ensues

December 2, 2025 Jordan Ruimy

The online hive-mind has struck again — this time aimed at Rolling Stone for leaving Ryan Coogler’s “Sinners” off its “Top 20 Movies of 2025” list. I’m serious. This is what it’s come down to.

Rolling Stone’s list, written and assembled by David Fear, dropped yesterday, and while it contained a strong mix of indies, international and big-studio plays, many fans were somehow outraged that “Sinners” was nowhere to be found. Social-media threads erupted with accusations that the omission was “racist,” “criminal,” or proof that the magazine “doesn’t get movies anymore.”

The bigger picture for me is what this blowback says more about the current state of film discourse than it does “Sinners” — the increasingly rigid hive-mind dominating the field. What this controversy really tells me is that film criticism is now one big echo chamber: either you’re with us, or you’re against us.

These days, conformity is rewarded. Once a film is deemed essential by the online communists, any dissent — even a simple omission from a list — is treated as sacrilege. Critics who fail to align with the consensus are assumed to be wrong, or worse, have ulterior motives.

This is how hive mind works:

  • A film is declared a masterpiece by a dominant segment of online fandom.

  • Any deviation from that viewpoint becomes suspicious.

  • Critics who don’t echo the group’s sentiment risk being attacked, dismissed, or dogpiled.

It has reached the point where some critics have privately told me they hesitate to rank or review certain films honestly because they fear the online reaction. The field has basically turned into a culture of enforcement.

Demanding that every respected outlet must include one particular film — no matter how acclaimed — is antithetical to the entire idea of criticism. There has always been disagreement in film culture. There has always been debate. However, what we’re seeing now is something different: a demand for ideological alignment, enforced via public shaming.

← Erik Messerschmidt to DP Matt Reeves’ ‘The Batman: Part II’‘One Battle After Another’ Named Best Film of 2025 by New York Film Critics Circle →

FOLLOW US!

Subscribe to our newsletter

Enjoying World of Reel?

Get film news, rumors and industry stories delivered straight to your inbox.

Thank you!
No results found

Trending

Featured
IMG_8823.webp
Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

Read more →
IMG_8734.jpeg
‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

Read more →
IMG_8707.jpeg
What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

Read more →
IMG_8721.jpeg
Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

Read more →

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

Subscribe

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026