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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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TIFF Cancels ‘Russians at War’ Screenings After “Threats" to “Public Safety"

September 12, 2024 Jordan Ruimy

I have not seen the documentary “Russians at War,” but I did witness the large, and very loud, demonstrations that occurred last Tuesday at TIFF. Pro-Ukrainian factions are absolutely livid that this doc is playing in the TIFF lineup.

“Russians at War” was supposed to have a few more screening at TIFF on Friday and through the weekend, and the fest had stood by its decision to screen the film, saying it should not be seen as Russian propaganda, but they’ve now completely pulled the film from the festival.

“As a cultural institution, we support civil discourse about and through films, including differences of opinion, and we fully support peaceful assembly,” a TIFF press statement reads. “However, we have received reports indicating potential activity in the coming days that pose significant risk; given the severity of these concerns, we cannot proceed as planned.”

A TIFF representative is saying that they had no choice but to cancel the screenings after they were made aware of “significant threats to festival operations and public safety.”

“Russians at War,” directed by Anastasia Trofimova, has the Canadian-Russian filmmaker embedding herself for seven months with the Russian army near the front line in Ukraine. Based on some of the reviews I’ve read, it’s not a piece of propaganda, but rather attempts to ask tough and noble questions about the war.

People are accusing Trofimova of spreading “Russian propaganda” to the public by making this film. Yet, for example, inside Next Best Picture’s review of the doc, it plainly states that the film tackles “an army in disarray, soldiers disillusioned and often struggling to understand what they are fighting for”. That doesn’t sound like propaganda to me.

So, we’re not allowed to watch this film because it shows the “other side” of a conflict, even though they are depicted as having doubts about their own participation in the war. In other words, you can’t humanize any Russians on-screen. We’re not allowed to know that some of them are actual real people, with real questions and real perspectives. Gotcha.

Regardless, you already know how I feel about banning/canceling art. I understand that TIFF was made aware of significant threats and didn’t seem to have much of a choice in the matter, but it’s always a slippery slope.

← David Gordon Green's ‘Nutcrackers' Sells to Hulu for $12MMatt Reeves Says ‘The Batman' is Still Being Planned as a Trilogy →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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