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Eli Roth Admits ‘Ice Cream Man’ Used AI After Previously Saying It Didn’t: “I Misspoke”

The film arrives unrated, set to screen in 2,000+ theaters this weekend, but is already plagued by disastrous early reviews, amounting to a 29% score on Rotten Tomatoes.

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Paramount’s Warner Bros. Deal Could Get $1.3 Billion More Expensive as Judge Sets Worst-Case-Scenario March 2027 Trial

The judge in the antitrust suit against Paramount’s proposed acquisition of Warner Bros. has set the trial for March, rather than the November date Paramount requested. That is catastrophic for David Ellison.

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James Cameron Is Ready to Move on From ‘Avatar’ and Tell “Other Stories”: “I’m Mapping Out the ‘Last Act’ of My Career”

In a new interview, James Cameron admits that he is considering which other stories he wants to tell, beyond Avatar, adding that he’s mapping out the “last act” of his career.

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Emily Wilson Doubles Down, Says Christopher Nolan’s ‘The Odyssey’ Is “Visually Stunning, Emotionally Empty”

Apparently, Wilson isn’t done attacking Nolan’s The Odyssey. In fact, she seems outright pissed, publishing a new The Atlantic op-ed where she even slams the film’s $69.99 popcorn bucket

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David Ellison: Paramount-WBD Merger Backlash Is “Not Really About” Antitrust — It’s About CNN

David Ellison believes the legal backlash over his Warner Bros. merger is “not really about market share,” and not driven primarily by concerns over market competition, but by politics.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Ava DuVernay Disappointed by Neon’s ‘Origin’ Promotion

January 14, 2024 Jordan Ruimy

Neon acquired Ava DuVernay’s “Origin”. It played Venice and TIFF, and got mixed reviews. The film, which left me indifferent, has had very little press and advertising. It’s supposed to get a "wide" release next weekend.

DuVernay has noticed Neon’s lack of interest in her film and is disappointed in the effort they put into promoting “Origin.”

Last week, in an Instagram video that went viral, the film’s lead actress Aunjanue Ellis-Taylor could be seen, masked, unnoticed, handing out flyers for the film outside a movie theatre in California. That’s what I’d call desperation.

This video led to DuVernay posting her own thoughts about how Neon did her wrong with their lack of promotion for the film. She doesn’t explicitly call them out, but does come pretty close, and definitely insinuates that her film deserved better.

I wish she was at the Globes or SAG Awards or Critics Choice or the other nominations that didn’t come,” continued DuVernay in her Instagram caption. “I wish she had commercials and magazine covers and all the things that are arranged for the actresses we are supposed to pay attention to in the awards season. I wish she felt the recognition and praise that swirls around her peers in big studio films. I wish the world for her. All the flowers. All the gold statues. I wish so many things.

DuVernay and the film have been ignored by major voting bodies like SAG, PGA, DGA, as well as most of the year-end top-ten lists. “Origin” was originally marked down by pundits as one to keep an eye out for during awards season, but it never really caught on.

The fact of the matter is that the film had been originally marketed and campaigned by Neon as an awards player, but it never really picked up much steam. Despite its Venice and TIFF berths, not many people are talking about it, which is why Neon has basically given up on it.

DuVernay’s last film before this one was 2018’s “A Wrinkle Before Time”, which was met with negative reviews and ended up having DuVernay hinting that racism was the reason behind the failure of that film.

Hey, let’s not completely nix “Origin” from Oscar contention, crazier things have happened before. Remember the whole Andrea Riseborough surprise that ignited last January? That was, controversially, spearheaded by a certain Frances Fisher …

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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