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Edward Berger Still Wants to Direct James Bond: “I'm Incredibly Passionate About It”

We all know Denis Villeneuve is directing the next Bond, but at one point there was a list of five finalists vying for the job: Villeneuve, Edgar Wright, Jonathan Nolan, Paul King, and Edward Berger.

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Peter Berg's ‘The Mosquito Bowl’ Is Too Patriotic for Critics — 39% on Rotten Tomatoes

"The Mosquito Bowl," which hits a small batch of theaters for Oscar-qualifying purposes, currently sits at 39% on Rotten Tomatoes and 42 on Metacritic. Many of its detractors dislike the film's patriotism.

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Martin McDonagh Says Political Correctness Has “Gotten Worse” and Defends Racist Language in His Work

Martin McDonagh has never written to please, and three days before his latest film, "Wild Horse Nine," hits theaters, he's pointing out a disturbing trend he's noticed lately while trying to create his art.

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‘Dune: Part Three' Runtime is 2 Hours and 31 Minutes

The Irish Film Classification Office has logged Denis Villeneuve's “Dune: Part Three” at 150 minutes. That's 2 hours and 30 minutes, and it comes from a ratings body that actually saw a final cut.

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David Fincher Wanted to Limit Himself to Five or Six Takes on ‘Cliff Booth' — Quentin Tarantino Demanded 28: “I Want the Full Effect, Man"

For once, Fincher walked into a movie wanting to keep things lean. Five, maybe six takes per setup. That was the plan. Then Tarantino heard about it and lost his mind.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Ava DuVernay Disappointed by Neon’s ‘Origin’ Promotion

January 14, 2024 Jordan Ruimy

Neon acquired Ava DuVernay’s “Origin”. It played Venice and TIFF, and got mixed reviews. The film, which left me indifferent, has had very little press and advertising. It’s supposed to get a "wide" release next weekend.

DuVernay has noticed Neon’s lack of interest in her film and is disappointed in the effort they put into promoting “Origin.”

Last week, in an Instagram video that went viral, the film’s lead actress Aunjanue Ellis-Taylor could be seen, masked, unnoticed, handing out flyers for the film outside a movie theatre in California. That’s what I’d call desperation.

This video led to DuVernay posting her own thoughts about how Neon did her wrong with their lack of promotion for the film. She doesn’t explicitly call them out, but does come pretty close, and definitely insinuates that her film deserved better.

I wish she was at the Globes or SAG Awards or Critics Choice or the other nominations that didn’t come,” continued DuVernay in her Instagram caption. “I wish she had commercials and magazine covers and all the things that are arranged for the actresses we are supposed to pay attention to in the awards season. I wish she felt the recognition and praise that swirls around her peers in big studio films. I wish the world for her. All the flowers. All the gold statues. I wish so many things.

DuVernay and the film have been ignored by major voting bodies like SAG, PGA, DGA, as well as most of the year-end top-ten lists. “Origin” was originally marked down by pundits as one to keep an eye out for during awards season, but it never really caught on.

The fact of the matter is that the film had been originally marketed and campaigned by Neon as an awards player, but it never really picked up much steam. Despite its Venice and TIFF berths, not many people are talking about it, which is why Neon has basically given up on it.

DuVernay’s last film before this one was 2018’s “A Wrinkle Before Time”, which was met with negative reviews and ended up having DuVernay hinting that racism was the reason behind the failure of that film.

Hey, let’s not completely nix “Origin” from Oscar contention, crazier things have happened before. Remember the whole Andrea Riseborough surprise that ignited last January? That was, controversially, spearheaded by a certain Frances Fisher …

← PTA’s New Film “Likely” A 2025 ReleaseMartin Scorsese Says Leonardo DiCaprio is “One of the Greatest Actors in the History of Movies” →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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