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‘Spider-Man: Brand New Day’ Dominates With $145M Second Weekend as Sexless ‘One Night Only’ Bombs With $5M

“Spider Man: Brand New Day” with the highest 10-day domestic run ever. Through tomorrow, the US total will be $653M, and $1.7 billion worldwide. Talk about a blockbuster—this is the definition of one.

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Confirmed: ‘Digger’ Runtime is Actually 2 Hours 8 Minutes

Iñárritu is certainly one to indulge. His last film, “Bardo,” ran 159 minutes, while “The Revenant” was 156 minutes, “Biutiful” 148 minutes, “Babel” 143 minutes, and “Amores Perros” 154 minutes.

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Olivia Wilde Calls Netflix’s $20M ‘The Invite’ Offer a “Bribe” to Skip Theaters

Back in January, at the Sundance Film Festival, a bidding war emerged over Olivia Wilde’s “The Invite.” A24, Netflix, Searchlight, Focus Features, and NEON among the studios in the mix.

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‘American Psycho’ Reboot May Lose Luca Guadagnino as Casting and Rewrites Drag On

If Guadagnino’s vision ultimately doesn’t come together, and time surely is running out, Lionsgate might move on from the filmmaker they have already identified possible replacements.

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‘X-Men’ Reboot Rumors Heat Up With Christopher Abbott, Jon Hamm and .. Adam Driver?

With Jake Schreier directing, Samara Weaving locked, and Sadie Sink introduced as Jean Grey, the reboot is starting to come together. Maybe Marvel finally makes some of it official at D23 next week.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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A24’s ‘Talk to Me’ is the First Great Horror Movie of 2023 [Review]

July 24, 2023 Jordan Ruimy

There hasn’t been a great horror movie so far this year, but that will change this coming Friday when an A24-distributed indie is released.

Twin filmmaking duo Danny and Michael Philippou's “Talk to Me” completely subvert the clichés of the horror genre. Yes, there are some first-timer mistakes, very few of them, but these boys have vision to spare.

The twins are known as the YouTube duo RackaRacka, who are known to direct horror videos on the platform. I never heard of them until I watched this film.

The screening of “Talk to Me,” at this past January’s Sundance, felt like the time I discovered David Robert Mitchell’s “It Follows” at Cannes. On-paper, it didn’t sound like anything fresh or original, a low-concept idea, but watching the film was a whole other story.

A24 nabbed the rights to the film at the fest, supposedly, paying a handsome seven-figure sum, and it’s probably going to be worth every penny for them.

The film stars Sophia Wilde as teenager Mia, who, on the anniversary of her mother’s death, gathers for a “calling” seance with her friends. They conjure up spirits using an ancient embalmed hand, and become temporarily possessed. The catch is that they must exorcise the spirit within 90 seconds, or it will stay forever inside them.

The problem is that they all become hooked by the experience, and this group of friends keeps performing more and more seances until one of them inevitably goes too far. Sounds hokey, right? It isn’t. What the Phillipous concentrate on most is the symmetry between visual and sound — it seems as though creating YouTube videos has been very beneficial in defining their big screen chops.

Mia is increasingly haunted by supernatural visions; they come aggressively quick, at the blink of an eye, but she also, unintentionally, sucks her close friend into this world as well. The blurring between reality and fiction is brilliantly portrayed here as we, the audience, are forced to choose who to trust; what’s real and what isn’t.

The thin line between reality and spiritual collapses before our very eyes, as Mia is haunted by supernatural visions, but are they all just in her head? It amounts to a very distinctive vibe — the atmospheric dread is one thing, but parts of this film feel damn-near surreal. This one’s bound to become a big indie hit. [B+]

← RUMOR: Sam Raimi is Developing ‘Spider-Man 4’Kitty Green’s ‘The Royal Hotel’ to Screen at TIFF and Telluride [Updated] →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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