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Jeremy Saulnier’s ‘Slayground’ Eyes January 29, 2027 Release via A24
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Jude Law Joins Ari Aster’s ‘Scapegoat’

Jude Law has joined Ari Aster's "Scapegoat," which already has Scarlett Johansson and Jacob Elordi in lead roles. Aster, who is directing from his own script, is once again teaming with A24.

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‘Digger' Tracking at $10M Opening After Brutal First Reactions

Coming off polarizing early reactions, "Digger" presales are off to a weak start, trailing "The Drama" by 34% and "The Bride" by 35% at one major chain. That's alarming for Warner Bros.

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‘Avengers: Endgame' Re-Release Tracking for $28M, Could Hit #1 in Box Office Showdown With ‘Resident Evil'

"Avengers: Endgame" is tracking for a stunning $28M re-release weekend, putting it neck and neck with "Resident Evil" ($28M–30M) for #1 and signaling huge hype for December's "Avengers: Doomsday."

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‘Godzilla Minus Zero’ Is Rated R, a First for the Franchise in Its 70-Year History

The Japanese ‘Godzilla’ movies have traditionally stayed in family-friendly territory. The last five Hollywood ones kept things broad with PG ratings, and for obvious reasons: there are toys and merch to sell.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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A24’s ‘Talk to Me’ is the First Great Horror Movie of 2023 [Review]

July 24, 2023 Jordan Ruimy

There hasn’t been a great horror movie so far this year, but that will change this coming Friday when an A24-distributed indie is released.

Twin filmmaking duo Danny and Michael Philippou's “Talk to Me” completely subvert the clichés of the horror genre. Yes, there are some first-timer mistakes, very few of them, but these boys have vision to spare.

The twins are known as the YouTube duo RackaRacka, who are known to direct horror videos on the platform. I never heard of them until I watched this film.

The screening of “Talk to Me,” at this past January’s Sundance, felt like the time I discovered David Robert Mitchell’s “It Follows” at Cannes. On-paper, it didn’t sound like anything fresh or original, a low-concept idea, but watching the film was a whole other story.

A24 nabbed the rights to the film at the fest, supposedly, paying a handsome seven-figure sum, and it’s probably going to be worth every penny for them.

The film stars Sophia Wilde as teenager Mia, who, on the anniversary of her mother’s death, gathers for a “calling” seance with her friends. They conjure up spirits using an ancient embalmed hand, and become temporarily possessed. The catch is that they must exorcise the spirit within 90 seconds, or it will stay forever inside them.

The problem is that they all become hooked by the experience, and this group of friends keeps performing more and more seances until one of them inevitably goes too far. Sounds hokey, right? It isn’t. What the Phillipous concentrate on most is the symmetry between visual and sound — it seems as though creating YouTube videos has been very beneficial in defining their big screen chops.

Mia is increasingly haunted by supernatural visions; they come aggressively quick, at the blink of an eye, but she also, unintentionally, sucks her close friend into this world as well. The blurring between reality and fiction is brilliantly portrayed here as we, the audience, are forced to choose who to trust; what’s real and what isn’t.

The thin line between reality and spiritual collapses before our very eyes, as Mia is haunted by supernatural visions, but are they all just in her head? It amounts to a very distinctive vibe — the atmospheric dread is one thing, but parts of this film feel damn-near surreal. This one’s bound to become a big indie hit. [B+]

← RUMOR: Sam Raimi is Developing ‘Spider-Man 4’Kitty Green’s ‘The Royal Hotel’ to Screen at TIFF and Telluride [Updated] →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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