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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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“Mixed” is the Word on ‘Barbie’ as Gerwig Hopes for Sequels: “I Want to go Back to Barbieland”

July 7, 2023 Jordan Ruimy

UPDATED:: In an interview with People Magazine, big studio filmmaker Greta Gerwig says she hopes her ”Barbie” launches “a bunch of different Barbie movies.” “I want to go back to Barbie Land,” she says.

“Barbie” is ever so slowly being screened for press junkets. Actual press screenings are not supposed to happen until later next week.

So it happens, Warner Bros decided to invite me to watch “Barbie” on the same day and time as my “Oppenheimer” press screening. Guess which movie I’m going to choose?

Last week, I mentioned having spoken to three journalists who saw “Barbie” at one of these junket screenings. All three were mixed, one of them was bordering on the positive side. Now we have Hollywood Elsewhere’s Jeffrey Wells posting about two other journalists who saw Gerwig’s film, both were mixed as well:

A regional friend who gets around says he’s hearing “very mixed” reactions to “Barbie”. There are tea leaves to be read, tea leaves under a cloak of secrecy. A couple of pallies saw Barbie over the last couple of days and were asked to signed NDAs.  

“Barbie” will have its review embargo lifted on July 13th. Wells believes that all of these NDAs being signed to prevent “Barbie” reactions from spreading is a bad sign.

If Barbie was some kind of great or exceptional, wouldn’t exciting buzz be circulating now, like the Mission Impossible 7 buzz was all over the place for the last several months? [..] So if Barbie is a big winner, why would you have industry vets sign NDAs? I’ll tell you why. Because loose lips sink ships.

If that’s the case then why is “Oppenheimer” not screening for press until July 18? Is that also a red flag? Not necessarily. Nolan’s past films have also screened pretty late. Take for example “Dunkirk” — back in 2017, its review embargo was lifted on July 17th and it got released on July 21st.

So, no, I don’t believe Wells has a case here with the slow rollout of “Barbie,” but what I do know is that, based on what I’ve read and heard so far, I’m starting to keep my expectations in check.

The marketing for “Barbie” has been on overdrive these past few weeks, to the point where I’m being force fed this film everywhere I go. It seems to be working: the latest projections have Gerwig’s film tracking at around $110 million on opening weekend.

EDIT: A reader just emailed me that Jeff Sneider mentioned on his Hot Mic podcast that he’s hearing, wait for it, “mixed” things about “Barbie.” We’re going to have to come up with a better word, folks.

← Current Cut of Denis Villeneuve’s ‘Dune: Part Two’ is 3 Hours 15 MinutesA24’s Stoner-Comedy ‘Wizards!’ Sounds Disgusting →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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