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Eli Roth Admits ‘Ice Cream Man’ Used AI After Previously Saying It Didn’t: “I Misspoke”

The film arrives unrated, set to screen in 2,000+ theaters this weekend, but is already plagued by disastrous early reviews, amounting to a 29% score on Rotten Tomatoes.

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Paramount’s Warner Bros. Deal Could Get $1.3 Billion More Expensive as Judge Sets Worst-Case-Scenario March 2027 Trial

The judge in the antitrust suit against Paramount’s proposed acquisition of Warner Bros. has set the trial for March, rather than the November date Paramount requested. That is catastrophic for David Ellison.

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James Cameron Is Ready to Move on From ‘Avatar’ and Tell “Other Stories”: “I’m Mapping Out the ‘Last Act’ of My Career”

In a new interview, James Cameron admits that he is considering which other stories he wants to tell, beyond Avatar, adding that he’s mapping out the “last act” of his career.

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Emily Wilson Doubles Down, Says Christopher Nolan’s ‘The Odyssey’ Is “Visually Stunning, Emotionally Empty”

Apparently, Wilson isn’t done attacking Nolan’s The Odyssey. In fact, she seems outright pissed, publishing a new The Atlantic op-ed where she even slams the film’s $69.99 popcorn bucket

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David Ellison: Paramount-WBD Merger Backlash Is “Not Really About” Antitrust — It’s About CNN

David Ellison believes the legal backlash over his Warner Bros. merger is “not really about market share,” and not driven primarily by concerns over market competition, but by politics.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Greta Gerwig to Direct, At Least, Two ‘Chronicles Of Narnia’ Movies for Netflix

July 3, 2023 Jordan Ruimy

Greta Gerwig has turned into miss IP with “Barbie” and now the confirmation about her next two films.

In that same interview with The New Yorker, Gerwig confirms that she has a deal with Netflix to write and direct at least two films based on C. S. Lewis’s “The Chronicles of Narnia.”

In October 2018, Netflix had announced that they were collaborating with The C.S. Lewis estate in a multi-year deal where they would produce movies based on Lewis’ books. Gerwig seems to be their Gal to steer the ship forward.

So, after the critical acclaim of “Lady Bird,” Gerwig adapted “Little Women,” made a peculiar “Barbie” movie and is now going to Narnia. Hey, money talks.

These are some risky career choices, artistically speaking. Anything Gerwig intrigues us, she’s been an indie queen for more than a decade now — can you believe “Frances Ha” is almost 10 years old?

However, she seems to have refrained in making original content, her post- “Lady Bird” projects are all very much what you would qualify as “product.”

Of course, you can both believe that she’s very talented behind the camera and that she shouldn’t be doing these children’s adaptations. Will Gerwig bring anything new to “Narnia,” which has been adapted to death on-screen — maybe?

Dire times, man. We’re seeing a lot of talented filmmakers getting sucked into the IP machine. Ryan Coogler has been compromised by Disney, ditto Barry Jenkins with his CGI ‘Mufasa,’ and now Gerwig.

← Andrea Arnold’s ‘Bird’ Starts ProductionMattel’s ‘Barney’ Movie Described as an “A24-Type Film,” Daniel Kaluuya to Star →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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