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'Cosmic Motors,' John Lasseter's First Film in 15 Years, Moves from Netflix to Paramount Theatrical Release

Netflix and Skydance Animation have also called it quits. The two sides announced Monday that they're ending the animated film deal struck back in 2023, framing it as a mutual decision.

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Edward Berger’s Lance Armstrong Biopic, Starring Austin Butler, Starts Production in January

Edward Berger seems to have settled on what comes next. His Lance Armstrong biopic, starring Austin Butler, is now holding casting calls, with production eyed for January.

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Ramin Bahrani’s ‘Last Meals’ to Star Mads Mikkelsen, Boyd Holbrook, Michael Shannon, and Tessa Thompson

In "Last Meals," Mikkelsen stars as Walter Karat, a disgraced former White House chef now preparing final meals for death row inmates at a maximum security prison.

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‘NAZA’: Israel Moves to Strip Citizenship From Oscar-Winning Filmmakers Behind Gaza Doc

After its much-reported Venice premiere, Israel's culture minister is vowing to strip citizenship from the two Israeli filmmakers behind "NAZA."

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Chris Rock’s ‘Misty Green’ Premieres, Rosalind Eleazar Stuns — 73 on Metacritic [TIFF]

I wouldn't call this film great — it stops short of that because of how neatly it resolves itself — but I'll give Rock his due here: this is much better than his previous directorial effort, "Top Five."

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Warner Bros’ ‘The Flash’ Could Lose the Studio More Than $200 Million

June 25, 2023 Jordan Ruimy

Why am I closely watching “The Flash” at the box-office? Because it could very well tell a bigger story about the marketable sustainability of superhero movies in Hollywood.

“The Flash” completely collapsed this past weekend at the box-office. Andy Muschietti’s film fell 75 percent from its weak $55 million start, adding only $15 million to the weekend.

Its domestic total now stands at an embarrassing $87 million. The International numbers are better at $123 million, but that will not be enough to save it from movie oblivion, and that’s exactly where this movie is headed.

Via Box-Office whiz Luis Fernando:

Painful, but it needs to be mentioned: if The Flash ends up within current projections, since the studio keeps just half the share from global grosses, it won’t even pay its total 150M marketing campaign. WB would have lost less money releasing it on Max, or not releasing it at all.

Not to mention apart from the expensive promo campaign, The Flash still has a 190M budget price tag. This film may easily lose more than 200M for WB when all is said and done, a financial catastrophe as dangerous as Justice League, which led to a major shakeup at WB in 2017.

The hard question to be asked is: what happens to the WBD’s finances if Blue Beetle & Aquaman and the Lost Kingdom end up being financial disasters as well? Will WB afford producing Comic Book movies in 2024 without cutting their budgets considerably? Will investors risk their $ again at WB?

So if it makes $250M, it loses $25M + an extra $200M-$220M from production costs for an estimated $225M - $245M loss. Gotcha. That’s disastrous. It would actually be worse than “John Carter” which only lost $200M.

Then again, we still don’t really know the actual budget of “The Flash”. Warner Bros keep playing games with us about the production cost of the film. It was $190 Million a few months ago and now some reports are saying $220 million, but I wouldn’t be surprised if the budget was even higher than that.

Add this to Warner’s ‘Shazam 2’ losses, estimated at around $150 million, and you have David Zaslav hitting panic button after panic button, even goes as far as to gut TCM staff this past week. Let’s hope “Barbie” isn’t the next one to bomb for him.

This could lead to a shapeshifting moment. Does Warner Bros keep James Gunn or just scrap his entire plan for a rebooted DCEU?

At this point, Gunn’s universe needs to be delayed as much as possible so that moviegoers see absolutely no connection between his upcoming batch of films and the toxic Snyderverse.

← Wes Anderson’s Next Film is a “Dark” Espionage with Benicio del Toro in Every Single ShotThe Main Problem With ‘Tenet’ … →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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