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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Paul Schrader: The Oscars Are “Woke” and “Mean Less Each Year”

March 13, 2023 Jordan Ruimy

Paul Schrader has weighed in, albeit cryptically, about last night’s Oscar ceremony.

We already know that he’s not an EEAAO fan, but he rather seems bothered by the international aspect of the Oscars. Why can’t it just be American movies, he says. I don’t really agree with this.

Yes, as he mentions, most filmmaking nations — Britain, France, Gemany — have their own national awards; the festivals have their own awards, but the success of international films these last few years has been refreshing.

If American cinema no longer holds the monopoly in what constitutes to be the “best” of the year, then so be it, that’s a good thing. Especially as films from the US get worse in quality on a yearly basis.

Schrader goes on to say that the Oscars “mean less every year” and cites “the need for revenue compounded by the debt carried by the museum and lowering film revenues and the scramble to be woke.”

Yes, I get it that the Academy are trying hard to appease to social media rhetoric, but, ugh, Paul, why did you have to use the W-word. Using it these days opens you to ridicule on social media, not that he would really care.

The Oscars do mean less every year, but it’s not necessarily just because of the reasons stated. Movies just aren’t part of the cultural zeitgeist as they were, say, even 20 years ago. A lot has changed, streaming has remolded perceptions and arthouse fare just doesn’t make as much money.

Honestly speaking, and I know it’s sacrilege to say this, if you truly want mainstream America to start paying attention again to the Oscars then maybe a full embracement of streaming must occur.

After all, It’s just another awards show. I couldn’t care less if that happens. We’ll still have Cannes, Venice, and Toronto celebrating the theatrical for more valid and important reasons. Otherwise, if the Academy sticks to its “traditional” ideals then they’re in for even more hurt in the years to come.

← Oscars Ratings: 18 Million Viewers, Third Lowest-Rated Telecast Ever [Updated]Oscars: What The Hell Happened? →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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