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Chris Rock Says Daniel Kaluuya Was “Kind of Retired” Before ‘Misty Green’ Comeback: “I Had to Beg Him”

Daniel Kaluuya took a sabbatical from acting back in 2022. There have been many theories as to why, but the important thing is he’s finally back, starring in this fall’s Chris Rock-directed “Misty Green.”

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‘Bunker’ Is a Paranoid Thriller, Marriage Drama, and Tech-Bro Apocalypse Movie All at Once [Venice]

Zeller’s feature debut, “The Father,” was an acclaimed and Oscar-winning film. Many believe he struck out with his sophomore effort, 2022’s critically maligned “The Son.” This is another miss.

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‘Practical Magic 2’ Is Tanking With Critics — 32% on Rotten Tomatoes

No surprise, “Practical Magic 2” is not doing well with critics. We all saw it coming. The first was also hammered with bad reviews. The only reason we’re getting a sequel is due to its cult base and ‘90s nostalgia.

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M. Night Shyamalan’s ‘Remain’ Teaser: Jake Gyllenhaal Stars in Hitchcockian Romance

A two-minute teaser has been released, and it looks intriguing and beautiful; Shyamalan is working with a new DP on this one, Adolpho Veloso—who shot the acclaimed “Train Dreams.”

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‘Artificial’ Trailer, Sets Christmas 2026 Theatrical Release

Here’s the teaser for Luca Guadagnino’s “Artificial,” which Neon has officially dated for a December 25, 2026 release. I’ve also posted some first look images below.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Paul Schrader: The Oscars Are “Woke” and “Mean Less Each Year”

March 13, 2023 Jordan Ruimy

Paul Schrader has weighed in, albeit cryptically, about last night’s Oscar ceremony.

We already know that he’s not an EEAAO fan, but he rather seems bothered by the international aspect of the Oscars. Why can’t it just be American movies, he says. I don’t really agree with this.

Yes, as he mentions, most filmmaking nations — Britain, France, Gemany — have their own national awards; the festivals have their own awards, but the success of international films these last few years has been refreshing.

If American cinema no longer holds the monopoly in what constitutes to be the “best” of the year, then so be it, that’s a good thing. Especially as films from the US get worse in quality on a yearly basis.

Schrader goes on to say that the Oscars “mean less every year” and cites “the need for revenue compounded by the debt carried by the museum and lowering film revenues and the scramble to be woke.”

Yes, I get it that the Academy are trying hard to appease to social media rhetoric, but, ugh, Paul, why did you have to use the W-word. Using it these days opens you to ridicule on social media, not that he would really care.

The Oscars do mean less every year, but it’s not necessarily just because of the reasons stated. Movies just aren’t part of the cultural zeitgeist as they were, say, even 20 years ago. A lot has changed, streaming has remolded perceptions and arthouse fare just doesn’t make as much money.

Honestly speaking, and I know it’s sacrilege to say this, if you truly want mainstream America to start paying attention again to the Oscars then maybe a full embracement of streaming must occur.

After all, It’s just another awards show. I couldn’t care less if that happens. We’ll still have Cannes, Venice, and Toronto celebrating the theatrical for more valid and important reasons. Otherwise, if the Academy sticks to its “traditional” ideals then they’re in for even more hurt in the years to come.

← Oscars Ratings: 18 Million Viewers, Third Lowest-Rated Telecast Ever [Updated]Oscars: What The Hell Happened? →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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