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‘Resident Evil’ Reviews Are Positive

I’m now predicting a $50M domestic opening weekend for this movie, which will only further cement Cregger’s drawing power after “Barbarian” and “Weapons.”

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‘Spider-Man: Brand New Day’ is Officially Highest-Grossing Movie of All-Time at Domestic Box Office

Now the question is whether Spidey can become the first movie to cross $1 billion domestically. With its legs having slowed down, and $63M in receipts still needed, I highly doubt it.

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Paul Schrader's ‘Non Compos Mentis’ Recasts: Sam Worthington, Liam Hemsworth and Cara Delevingne To Star in “Erotic Thriller”

After filming wraps on "Non Compos Mentis," which shoots next month, Schrader plans to start production on his "drug movie," "The Doors of Perception," in January.

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MPA: ‘Clayface’ and ‘The Social Reckoning’ Ready With “R” Ratings

Aaron Sorkin's "The Social Reckoning" has officially been stamped with an "R" rating for language, which is another idiotic move from the MPA. Why must "language" get an "R"?

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‘Digger’ Box Office Tracking Points to a Soft $20M Debut for Tom Cruise and Iñárritu

I actually find that number optimistic. Tickets for “Digger” go on sale next Tuesday, and presales will give us a better picture of how bad it’s looking.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Apple Sees Oscar Potential in Will Smith’s Slavery Epic ‘Emancipation’

September 18, 2022 Jordan Ruimy

Will Smith will need to amp up that apology tour this fall. Maybe a one-hour special with Oprah, add in a televised therapy session with Dr. Phil and then an Oscar campaign can commence.

A New York Times report on Apple’s major headache regarding the Smith-starring “Emancipation” reads like a biblical dilemma.

According to three anonymous sources, there have been discussions inside Apple to release the $120 million costing “Emancipation” by the end of the year, which would make it eligible for awards consideration. Others within Apple are against the idea of releasing it at thhe risk of potentially damaging their brand.

Also, notice how this NYT piece is being released just days after Apple’s big Oscar horse, “The Greatest Beer Run Ever,” completely tanked with critics at TIFF. Apple is desperate, an awards campaign is maybe brewing behind “Emanicipation.”

Per the NYT:

To some, the film may be too good to keep quiet. Apple set up a general audience test screening of “Emancipation” in Chicago earlier this year, according to three people with knowledge of the event who spoke on condition of anonymity because they were not permitted to discuss it publicly. They said it generated an overwhelmingly positive reaction, specifically for Mr. Smith’s performance, which one of the people called “volcanic.” Audience members, during the after-screening feedback, said they were not turned off by Mr. Smith’s recent public behavior.

The main question I have is simple, just how good can a movie directed by Antoine Fuqua actually be?

Regardles, Apple should just release the damn thing. There is no point in delaying ”Emancipation” any further. It’s that simple. You don’t think there will be an audience for this movie? You’d be surprised. People are now more interested in Smith than they have been in years. Hell, I bet an inordinate amount of his haters will likely stream “Emancipation,” just out of sheer curiosity.

Earlier this year, Smith was himself slapped with a 10-year ban by the Academy, he now can’t attend any Oscar-related event until 2033. The irony about the AMPAS‘ ban is that people like Harvey Weinstein and Kevin Spacey are still technically not banned from the Oscars.

Of course, I’ll still watch “Emancipation”. The Oscar slap happened, but what’s the point of pretending I’m still outraged by it. The guy is a good actor and if he can dive deeply into the skin of his character in “Emancipation,” then who cares.

← Why Wasn’t Alice Diop’s ‘Saint Omer’ at Cannes?Woody Allen’s 50th and Final Film Set to Star Isabelle Huppert? →

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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