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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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George Miller to Open Cannes 75? Ari Aster Might Sneak into Competition …

March 23, 2022 Jordan Ruimy

A few updates on the Cannes 75 lineup.

Ira Sachs’ “Passengers” won’t be ready. Poor Ira, he really wanted to go back and make up for the lacklustre showing of his last competition film, “Frankie.” If it were up to me, I’d submit the film for a New York Film Festival world premiere, but it’s inevitable that, if the film is any good, Venice will snatch it up.

There are also unconfirmed talks for George Miller’s “Three Thousand Years of Longing” to open the festival on May 17th. That would make sense since Miller’s film is said to be about storytelling. As it stands, I can’t think of any other title opening Cannes, maybe a hotly-buzzed French film?

The big news is that Ari Aster’s “Disappointment Blvd” is now a possibility for competition. A24 might make a splash on the croisette in May with both Aster and Kelly Reichardt’s “Showing Up” vying for the Palme d’Or. I’m being told that Aster’s film is ready. Another potential A24 could also come in the form of Joanna Hogg’s “The Eternal Daughter,” maybe in Director’s Fortnight?

Meanwhile, Brandon Cronenberg’s “Infinity Pool” will not be ready on time. Sometimes “not ready on time” for Cannes means a film has been rejected, but I’ll give Brandon the benefit of the doubt here since he’s coming off the best-reviewed movie of his young career, “Possessor.”

Just answering a few email inquiries, I haven’t heard much about Sarah Polley’s “Women Talking.” It would make sense for it to be included in Cannes 75, but I just don’t have the intel to back up any speculating for now.

UPDATE 03.23.22

Broker — Hirokazu Kore-eda
Triangle of Sadness — Ruben Ostlund
Decision to Leave — Park Chan-wook
Bardo - Alejandro Gonalez Inarittu
Armageddon Time — James Gray
Crimes of the Future — David Cronenberg
Showing Up — Kelly Reichardt
Tori et Lokita — Jean-Pierre & Luc Dardenne
Scarlet — Pietro Marcello
R.M.N — Cristian Mungiu
The Son — Florian Zeller
École de l’air — Robin Campillo
Tchaikovsky’s Wife — Kirill Serebrennikov
The Whale — Darren Aronofsky
Music — Angela Schanelec
Close — Lukas Dhont
Frere et Soeur — Arnaud Desplechin
Eureka — Lisandro Alonso
Misanthrope — Damian Szifron
Holy Spider — Ali Abassi
Saint-Omer — Alice Diop
The Eternal Daughter — Joanna Hogg
Le Lyceen — Christophe Honoré
Other People’s Children — Rebecca Zlotowski
Three Thousand Years of Longing — George Miller
Don Juan — Serge Bozon

MYSTERIOUS QUESTION MARKS

Untitled — Jia Zhangke Project
Untitled — Jean-Luc Godard
The Zone of Interest — Jonathan Glazer
The Perfumed Hill — Abderrahmane Sissako
Revoir Paris — Alice Winocour
Nope — Jordan Peele
Women Talking — Kelly Reichardt

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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