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Can Nathan Fielder’s ‘You Can See Everything’ Make Oscar History as the First “Documentary” Nominated for Best Picture?

In the Academy’s 97-year history, no documentary has ever been nominated for the Best Picture Oscar? Fielder’s doc is being tipped as potentially making history — but is it even non-fiction?

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Ridley Scott Claims ‘Treasure Island’ Will Be the Most Expensive Movie of His Career

Scott says it could be “the highest budget film” of his career” before accounting for tax incentives.” If Scott isn’t bullsh*tting here, and lord knows he might be, that would put the cost in the $200M+ range.

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Brady Corbet’s ‘The Origin of the World,’ His ‘X-Rated’ 4-Hour Follow-Up to ‘The Brutalist,’ Begins Production in South Africa

Brady Corbet's “The Origin of the World,” his X-Rated epic about "Northern California’s economy" in the 1970s epic, has now started production in South Africa under the working title “SALT FLATS.”

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Mia Hansen-Løve’s ‘If Love Should Die’ is Finally Happening — Renate Reinsve Vicky Krieps, Johnny Flynn to Star

Hansen-Løve has a new film — a period piece set in England. “If Love Should Die” will focus on the 18th-century English philosopher Mary Wollstonecraft. This was announced three years ago, and it is finally happening.

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Venice 2026: Koreeda’s ‘Look Back’ Disappoints, el-Toukhy’s ‘Woman Unknown’ Provokes, Moretti Surprises

Venice keeps trudging along. Twelve of the 21 films in competition have now been screened. Tomorrow, we’ll get to see Casey Affleck’s “Company,” Florian Zeller’s “Bunker,” and Ilya Khrzhanovsky’s “DAU.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Cannes 75 is a Little More Than Two Months Away

March 3, 2022 Jordan Ruimy

Variety’s Elsa Keslassy has become one of the more trust-worthy Cannes insiders out there. Her piece today, weighing around a dozen titles that are destined to premiere at the festival aligns pretty well with the intel I’ve been gathering these last few months.

As we had reported earlier, Keslassy confirms that Nuri Bilge Ceylan and Claire Denis’s films won’t be ready. Also, Marion Cotillard and Penelope Cruz are among the names that have been discussed so far for Jury President. All we know for certain is that Fremaux is looking for a female Prez.

Good stuff all around, but mostly things we already knew about, with a few key titles missing in her piece. Instead, I’ll just post The 25 films that are most likely headed for official competition this year (based on my own intel):

Baby, Box, Broker — Hirokazu Kore-eda
Triangle of Sadness — Ruben Ostlund
Decision to Leave — Park Chan-wook
Bardo - Alejandro Gonalez Inarittu
Armageddon Time — James Gray
Crimes of the Future — David Cronenberg
Showing Up — Kelly Reichardt
Tori et Lokita — Jean-Pierre & Luc Dardenne
R.M.N — Cristian Mungiu
The Son — Florian Zeller
École de l’air — Robin Campillo
Monica — Kantemir Balagov
Passengers — Ira Sachs
Close — Lukas Dhont
Frere et Soeur — Arnaud Desplechin
Eureka — Lisandro Alonso
Misanthrope — Damian Szifron
Holy Spider — Ali Abassi
Saint-Omer — Alice Diop
L'Envol— Pietro Marcello
The Eternal Daughter — Joanna Hogg
Le Lyceen — Christophe Honoré
Other People’s Children — Rebecca Zlotowski
Three Thousand Years of Longing — George Miller
Don Juan — Serge Bozon


MYSTERIOUS QUESTION MARKS

Untitled — Jia Zhangke Project
Untitled — Jean-Luc Godard
The Zone of Interest — Jonathan Glazer
The Perfumed Hill — Abderrahmane Sissako
Revoir Paris — Alice Winocour
Nope — Jordan Peele

← Wes Anderson’s ‘Asteroid City’ Will Skip Cannes and Premiere at Venice Instead‘Triangle of Sadness’: Ruben Ostlund Currently Trimming a 3-Hour Cut for Cannes →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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