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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Licorice Pizza’ Re-Examined

January 20, 2022 Jordan Ruimy

A good movie, said legendary Howard Hawks, is one that has “three great scenes and no bad ones.” Hollywood Elsewhere’s Jeffrey Wells has been consistently using this protocol to identify legitimate Oscar contenders.

I’ve decided to use Hawks’ measuring stick for Paul Thomas Anderson’s “Licorice Pizza.” Why specifically PTA’s film? Because my review for it has probably been the most polarozing one I had published last year. You should check out the emails I got for this one. I get it, the film is very unconventional and could isolate even the most diehard of PTA fans.

On 12.15.21 I wrote:

“Licorice Pizza” is messy, passionate, episodic, flawed, brilliant, and, really, just all over the place. It’s going to polarize many. This isn’t going for Oscars, and all the better for it.”

And yet, due to, or despite, its episodic nature, can the film’s detractors deny the following 13 scenes are undeniably brilliant? Howard Hawks would be proud.

1) Gary and Ilana’s first meeting during his high school’s photo day. There’s also a great long-take of their first conversation.

2) Ilana driving the truck backwards and down the San Fernando Valley hills.

3) Gary getting arrested, brought to the police station and subsequently released. A great shot is where Ilana hugs Gary after he's released from the police station - and the camera hangs on them embracing each other through the reflection of the glass door.

4) Ilana purposely flirting with Sean Penn’s Jack Huston to make Gary jealous.

5) The Travis Bickle-esque mystery man who keeps stalking the Joel Wachs political headquarters. Masterful, tension-filled scenes.

6) Ilana using a sexy voice as a telemarketer

7) Ilana meeting the casting agent, played by Harriet Sansom Harris — she shows up in just a single scene, but it’s an unforgettable one. “you’re a goddam fighter”

8) Shabbat dinner scene with Ilana’s atheist boyfriend, Lance — sweet and accurate depiction of a Jewish family’s Friday night dinner.

9) Motorcycle jump scene and Ilana/Gary running towards each other. That moment she asks if he even knows her name before falling off and Gary running to her side

10) The Joel Wachs dinner breakup scene.

11) Gary smoking the cigarette while Alana insists that she’s cooler than him.

12) A scene I loved is when Gary runs along a line of cars as Life on Mars blasts in the soundtrack. A pure moment of thrilling cinema!

13) The final sequence.

← Sundance 2022 Begins …If There Were Just Five Best Picture Nominees … →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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