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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘In the Same Breath': Infuriating Doc Tackles China's COVID-19 Coverup [Review]

August 13, 2021 Jordan Ruimy

Nanfu Wang follow-up to her 'One Child Nation' is an HBO documentary titled ”In the Same Breath”, it deals with the Chinese Communist Party coverup of COVID-19 during the early stages of the outbreak. The first half of Wang's film, its stronger section, recaps the chaos that gripped Wuhan at the start of the outbreak in early 2020. The second half focuses more on the arrival of the virus in the U.S., and reaction from government, media, and the CDC to make us believe the virus was nothing more than a bad flu. Wang even inserts a clip of Anthony Fauci, early on during the pandemic’s infancy, stating that it was nothing more than a flu and that masks were not necessary. That hasn’t aged well and someone will have to eventually ask the NIAID director about it. 

Wang’s doc was made from an immeasurably well-informed point of view, Wang is a dual citizen of both the U.S. and China. Through her vast wealth of connections in the mainland, she paints a none-too-pleasant portrait of the CCP and its leader President Xi Jiping. She uses archival sound-bytes and clips from Chinese state media, hires local camera people to shoot secret footage in Wuhan hospitals and even manages to contact doctors from private clinics, including one near the seafood market identified as the possible point of origin for the virus. The cumulative assault of information results in a damning indictment of an authoritarian coverup, starting with the January 2nd announcement by the CCP, via a news bulletin, about Wuhan police punishing eight people for spreading online rumors of an unknown pneumonia.

The Chinese government's withholding of information, downplaying the threat and saying there was no risk of human-to-human transmission, despite hospital workers stating the contrary, was enough of a domino effect to thrust the entire world into virus-infected chaos. One would have liked to have seen this particular topic more wittingly dissected by Wang, but, instead, in the film’s flawed second half she turns her eye to U.S. botching of the virus, casting an unfair parallel between China’s evil coverup and American institutions themselves embarking on their own downplaying of COVID-19. 

Wang’s film is messy, but passionate, not really able to find coherence amidst the madness of its subject matter. Due to the CCP’s refusal for total transparency, do you blame it for that? We still don’t know the full story and this means a more essential doc will eventually come to be released in the next few years as more info continues to come to light. 

The official death toll in China currently sits at over 9000, a total farce of a stat as related to the anecdotal evidence gathered by Wang at funeral homes and hospitals that leads the viewer to the obvious conclusion that the final count was probably 10-20x more than that.

Of note; many of the talking heads Wang interviews in this insightfully brave doc either, soon after, died or completely disappeared, probably victims of a totalitarian regime that watches your every move and punishes wrongthink.

SCORE: B+

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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