Wes Anderson’s ”The French Dispatch” world premiered at the Cannes Film Festival this past July, it was met with mostly positive reviews, but it definitely felt, to my eyes, at least, like a step back for Anderson. But, like all of his films, I have this nagging feeling it’ll play much better on subsequent viewings. Thus, a press screening awaits me this evening — I am very excited to revisit this one. As it currently stands, “The French Dispatch” has a 78 on Metacritic and is 77% on Rotten Tomatoes. It opens on Friday.
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Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.
“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.
The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.
Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.
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This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.
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As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.