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Matt Reeves’ ‘Bonfire of the Vanities’ Not Moving Forward at Apple, Seeks New Home

Reeves is supposed to direct, David E. Kelley is writing, and just like that, Apple got cold feet — the usual “creative differences” excuse is being cited in the report, and maybe that was indeed the case.

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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Ammonite’ Director Francis Lee Not Happy His Film Might Not Screen in Theaters

July 18, 2020 Jordan Ruimy

There is no reason to cower and hide frustration with your local government. It is perfectly okay to be upset that lockdowns are happening, and that movie theaters are still shut down, with no concrete plan about when they’ll actually reopen. Don’t let anybody shame you in thinking otherwise, it is your given right to express your discontent towards this matter.

So, please, Twiteratti wokesters, give ”Ammonite” director Francis Lee a break, he’s directed the most buzzed unseen movie of 2020. Ever since “Ammonite” was selected to be part of Cannes’ non-existent 2020 edition, there has been persistent hype surrounding Lee’s film. And yet, Lee has been holding out hope, probably praying, that “Ammonite,” starring Saoirse Ronan and Kate Winslet, will have its world premiere at a physical event. In a now-deleted tweet, Lee has expressed his frustrations with the whole matter, leading some to believe that his Oscar-buzzed film may have in the end finally been sold to a streamer.

He tweeted, “I made a film. A film to be seen in a cinema, on the big screen, in the dark, with wonderful sound and an audience. This is why I made the film the way I made it. I can’t not be fucked off right now.”

Rumor has HULU and NEON teaming up to distribute the film later this fall. Of course, at the moment, it’s all just hearsay, but it would make sense for “Ammonite” to go straight to streaming as the fall movie season is starting to look more and more like a cinematic wasteland and an industry resurgence may very well be paused until after the November election and into 2021.

Of course, “Ammonite” was recently selected as part of TIFF, so a big-screen premiere isn’t out of the question. The Toronto festival has designated its first five days to be public screenings and one can imagine “Ammonite” playing a big part in one of those days, but I have been hearing that the physical edition of TIFF may as well be in jeopardy and the festival’s organizers will probably make a decision on the matter in the coming weeks.

← Telluride Lineup Would Have Included ‘Nomadland,' ‘The French Dispatch' and ‘Soul' ‘Hamilton': Shallow, Dramatically Inept and Highly Overpraised [Review] →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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