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James Gunn Is Already Writing His Next DC Movie — It Might Be ‘Superman 3’

The man doesn't stop. James Gunn has confirmed he's already hard at work writing his next film, even as ‘Man of Tomorrow’ makes its way toward theaters next summer.

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Michael Mann’s ‘Miami Vice' Director's Final Cut Divides Fest Audiences With Polarizing New Ending

Mann brought his new "Director's Final Cut" to Beyond Fest in L.A. last night. Mann stayed for a Q&A afterward. Suffice it to say, the cut certainly has people talking, and mostly not in a good way.

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‘Digger' Bombs With $8M; Misunderstood or Insufferable? Post Your Review!

Welcome to the “Digger” megathread, where you can post your review of the movie in the comments below. I’ll try to keep this post up over the weekend as our readers catch up with Iñárritu’s $180M oddity.

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Stephen Colbert's ‘Lord of the Rings' Movie Paused by David Ellison After Paramount–Warner Bros. Merger

Bad news, Stephen. Your archnemesis has struck again. Ellison has hit pause on Colbert's LOTR movie. The film was originally rumored to begin shooting shortly after ‘The Hunt for Gollum.’

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‘A Statement’ First Reviews: Tom McCarthy’s Return After ‘Stillwater’ Gets a Mixed Reception

“A Statement” stars Paul Rudd, Paul Giamatti, Amy Ryan, John Turturro, Jason Clarke, Dylan Baker, and Tatiana Maslany. The film marks the return of Tom McCarthy, a filmmaker we haven’t heard from in a while.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Mrs. America': Feminist Saga Has Cate Blanchett in Deliciously Devilish Form [Review]

May 2, 2020 Jordan Ruimy

I am six episodes in on the nine-episode FX/Hulu miniseries “Mrs. America,” a re-enactment of the ’70s battle over the Equal Rights Amendment and how second-wave feminists (including Gloria Steinem) fought conservative Middle American anti-feminist Phyllis Schlafly (Cate Blanchett) who opposed and openly debated for the passage to be ratified.

Let me just get it out of the way, the show itself is compulsively watchable and that I wouldn’t miss an episode from here on. I had skepticism going into it, about just how compassionate show creator Dahvi Waller (“Mad Men”) would be in his portrayal of Schlafly. The answer is, actually, quite sympathetic. The trailers led us to believe that Schlafly would not only be a cardboard villain, but also the centerpiece of “Mrs. America,” but Blanchett ends up sharing her screen time with some commendable actresses.

Rose Byrne is perfectly cast as Steinem, the most popular and endearing feminist of the second wave, but also not without her fair share of flaws. When Shirley Chisholm (Uzo Aduba), aims to be the first major-party African-American candidate to run for the U.S. Presidency, Steinem is torn between supporting the right candidate or following along party lines and supporting semi-establishment figure George McGovern for the Presidency. It’s a progressive issue that still plagues ultra-progressive politicians even today, , mostly Bernie Sanders supporters, as they painstakingly decide to endorse Joe Biden.

There’s a great scene recreating the 1973 debate between Schlafly and first-wave feminist leader Betty Friedan (Tracy Ullmann) at Illinois State University in Bloomington. Schlafly, a fairly well-versed debater, tries to get under Friedan’s skin and calls ERA feminists “a bunch of bitter women seeking a constitutional cure for their personal problems.” Of course, Friedan, already a hothead, responds by saying “I’d like to burn you at the stake” and “I consider you a traitor to your sex…I consider you an Aunt Tom.” Suffice to say, this would spell the inevitable demise of Friedan, both at the debate stage and as the overall leader of the feminist movement, handing the second-wave baton to Steinem. It’s the ballsiest and most poignant scene of the entire series because the issues Schlafly/Friedan were having more than 47 years ago is still being debated today.

The directing duo of Anna Boden & Ryan Fleck (“Little Miss Sunshine”) direct four of the episodes, including the first and last, Amma Asante (“A United Kingdom”), and Laure de Clermont-Tonnerre (“The Mustang”) direct two each and Janicza Bravo (“Lemonade”) directs one. It’s an ensemble of filmmakers that maintain the beautifully realized ‘70s look of the series, but never goes beyond the conventional storytelling.

There is not much risk-taking in “Mrs. America,” Waller opts to tell his story in a fairly straightforward fashion and that can sometimes result in a rather dullish affair, but it mostly works due to the amalgam of fascinating personalities and performances assembled here, primarily the women. One can see Blanchett, Byrne, and Tracy Ullman being Emmy-nominated. [B]

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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