At one point in time, specifically from 1995 to 2010, Pixar could do absolutely no wrong, it seemed like they were releasing classic after classic, and seemed unbeatable in the animation game. What else would call a stretch which included "Finding Nemo,” “WALL-E,” “The Incredibles,” “Ratatouille,” “Up!” “Monsters Inc,” and the first three “Toy Story” movies?
However, something happened post-2010, a much more lenient approach to sequel-making entered the fray; “Cars 2” became a juggernaut for toy and clothing merchandising which brought greed into the equation. Then it didn’t stop, “Monsters University,” “Finding Dory,” “Cars 3,” “The Incredibles 2,” and “Toy Story 4,” all came to the fray and dampened the Pixar reputation. The risk-taking factor also came in with safer fare such as “Brave,” “The Good Dinosaur,” and this year’s “Onward.” Of course, this post-2010 phase also brought forth two notable gems, “Inside Out” and “Coco.”
Pixar has promised to rely less on sequels in the foreseeable future, which brings us to their big summer release this year, Pete Docter’s “Soul.” Docter, the director of “Inside Out,” has given us yet another highly original premise with “Soul” which follows an aspiring Jazz Pianist, (voiced by Jamie Foxx), who’s lost his passion for music, but gets transported to the afterlife and tries to find his way back with the help of an infant soul (Tina Fey).
I bet this gets great reviews.
Following “Air,” this is Affleck’s latest stint behind the camera. He has cast himself in the lead role, alongside Kerry Washington, Steven Yeun, and Gillian Anderson (“The X-Files”).