• Interviews
    • Yearly Top Tens
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_6146.jpeg
‘The Black Ball’ Sparks Bidding War at Cannes, With A24, Netflix and Mubi
IMG_6145.webp
Doug Liman’s ‘Bitcoin’ Will Have AI-Enhanced Versions of Zuckerberg, Putin, Kim Jong Un and Eric Trump
IMG_6143.jpeg
Netflix Acquires Romain Gavras’ ‘Sacrifice’ Starring Chris Evans and Anya Taylor-Joy, Nine Months After Panned TIFF Premiere
IMG_6139.jpeg
Johnny Depp’s ‘Day Drinker’ Sets March 2027 Release Date
IMG_6134.jpeg
‘The Mandalorian’ With Soft $11-12M in Thursday Previews — Lower Than ‘Solo,’ Delivering Another Warning Sign for Star Wars
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

World of Reel

  • Interviews
  • More
    • Yearly Top Tens

Denis Villeneuve Trashes Warner Bros/HBO Max Streaming Deal

December 11, 2020 Jordan Ruimy

Denis Villeneuve has reason to be angry about the HBO Max/Warner Bros. streaming deal from last week. The Quebecois filmmaker has emerged these last 10 years as a major voice in mainstream moviemaking, with films such as “Arrival,” “Sicario” and “Blade Runner 2049” earning him glowing reviews and a major fanbase. He was just getting started.

Villeneuve, whose upcoming “Dune” is part of the streaming deal, has written an essay for Variety, a scathing response to Warner Bros.’ HBO Max all-streaming decision. Suffice to say, he’s not happy, and the brunt of his anger is being directed towards AT&T and its hold over the WB.

“I’ve learned…that Warner Bros. has decided to release Dune on HBO Max at the same time as our theatrical release, using prominent images from our movie to promote their streaming service. With this decision AT&T has hijacked one of the most respectable and important studios in film history.

“There is absolutely no love for cinema, nor for the audience here. It is all about the survival of a telecom mammoth, one that is currently bearing an astronomical debt of more than $150 billion. Therefore, even though Dune is about cinema and audiences, AT&T is about its own survival on Wall Street. With HBO Max’s launch a failure thus far, AT&T decided to sacrifice Warner Bros.’ entire 2021 slate in a desperate attempt to grab the audience’s attention.

“Warner Bros.’ sudden reversal from being a legacy home for filmmakers to the new era of complete disregard draws a clear line for me. Filmmaking is a collaboration, reliant on the mutual trust of team work. Warner Bros. has declared they are no longer on the same team. Streaming services are a positive and powerful addition to the movie and TV ecosystems. But I want the audience to understand that streaming alone can’t sustain the film industry as we knew it before COVID. Streaming can produce great content, but not movies of Dune’s scope and scale. Warner Bros.’ decision means Dune won’t have the chance to perform financially in order to be viable and piracy will ultimately triumph.

“Warner Bros. might just have killed the Dune franchise. This one is for the fans. AT&T’s John Stankey said that the streaming horse left the barn. In truth, the horse left the barn for the slaughterhouse.”

Warner Bros. has turned into a total shitshow. If you remember, they negotiated $10M buyouts for the “Wonder Woman” team before announcing the HBO Max deal, setting a precedent for their tentpole releases. Why would any director, with any sense of artistic self-respect, now want to join the Warner team of collaborators?

Patty Jenkins and James Gunn have jumped ship and are now working for Disney. One can only imagine, Nolan and Villeneuve, who are both currently furious at Warner, to go to another studio. But, which one? Warner has been one of the premier major studios to give a portal to auteur directors

The theatrical experience is not permanently gone, this pandemic shall pass and we will all be able to go back to the movies. Warner Bros. jumped the gun by hitting the panic button and setting off a cataclysmic avalanche of repercussions towards them.

I wrote last week:

‘When this pandemic is over, we will be able to again meet at a cinema, watch a movie on the big screen, share the experience with strangers all around us, but the industry won’t be the same. I will always choose theatres over the small screen, whenever they open again, but a part of every cinephile died today with news of this WB/HBO Max merger.”

← Sight and Sound’s 2020 Critics Poll Topped by Steve McQueen’s ‘Lovers Rock’Disney+ Grows To 86.8 Million Subscribers; Netflix Has 195 Million, Amazon Prime 150 million →

FOLLOW US!

No results found

Trending

Featured
IMG_5398.jpeg
Warner Bros. Source Says ‘Horizon: Chapter 2’ Is “Frozen” With “No Plans” for Release
IMG_5393.jpeg
Mel Gibson’s ‘The Resurrection of the Christ’ Wraps Seven-Month Shoot With New DP Robrecht Heyvaert, $250M Budget
IMG_5374.jpeg
Is Steven Spielberg’s ‘Disclosure Day’ a Secret Sequel to ‘Close Encounters’?
IMG_5332.jpeg
Lynne Ramsay Says Joaquin Phoenix Arctic Epic ‘Polaris’ Is Her Next Film and Calls It Her ‘2001’

World of Reel RSS

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025