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BREAKING: Netflix Wins Bidding War to Acquire Warner Bros.
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Matt Reeves Defends Paul Dano After Quentin Tarantino Calls Him “The Limpest Dick in the World”
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AFI’s Top 10 Films of 2025: Oscar Blueprint or Major Snubs?
AFI’s Top 10 Films of 2025: Oscar Blueprint or Major Snubs?
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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Stephen King Criticizes Best Picture Nominees as ‘Man-Fiction’ With ‘Many White Faces’

January 27, 2020 Jordan Ruimy
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Around two weeks ago, Stephen King received considerable social media backlash for tweeting that he only considered quality in art, rather than diversity. A perfectly fine thing to say and something I wholly agree with. Of course, King, ever the faux-wokester, then tried to further elaborate in subsequent tweets that what he meant to say was that an individual’s background should not distract from their odds at winning an award. That didn’t calm down the mob as who else but “When They See Us” creator Ava DuVernay went on to criticize King’s tweet as “backward and ignorant.”

King could have just left it at that, stood by his own beliefs and moved along, but today my respect for the legendary novelist has severely dwindled thanks to a Washington Post column in which the author argued the Oscars were still “rigged in favor of white people.”

in his WaPo column King criticized Oscars’ Best Picture nominees, including “The Irishman,” “Ford v Ferrari,” “1917,” “Joker,” and “Once Upon a Time in Hollywood” as “man-fiction” that had plenty of “fights, guns, and many white faces.” Amd then, to make matters worse, King went on to champion DuVernay’s uber-overrated Netflix series “When They See Us” as the work of “creative genius” in his Washington Post column.

Was this King Op-Ed a cowardly act of intellectual harakiri? You bet.

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