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Eli Roth Admits ‘Ice Cream Man’ Used AI After Previously Saying It Didn’t: “I Misspoke”

The film arrives unrated, set to screen in 2,000+ theaters this weekend, but is already plagued by disastrous early reviews, amounting to a 29% score on Rotten Tomatoes.

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Paramount’s Warner Bros. Deal Could Get $1.3 Billion More Expensive as Judge Sets Worst-Case-Scenario March 2027 Trial

The judge in the antitrust suit against Paramount’s proposed acquisition of Warner Bros. has set the trial for March, rather than the November date Paramount requested. That is catastrophic for David Ellison.

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James Cameron Is Ready to Move on From ‘Avatar’ and Tell “Other Stories”: “I’m Mapping Out the ‘Last Act’ of My Career”

In a new interview, James Cameron admits that he is considering which other stories he wants to tell, beyond Avatar, adding that he’s mapping out the “last act” of his career.

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Emily Wilson Doubles Down, Says Christopher Nolan’s ‘The Odyssey’ Is “Visually Stunning, Emotionally Empty”

Apparently, Wilson isn’t done attacking Nolan’s The Odyssey. In fact, she seems outright pissed, publishing a new The Atlantic op-ed where she even slams the film’s $69.99 popcorn bucket

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David Ellison: Paramount-WBD Merger Backlash Is “Not Really About” Antitrust — It’s About CNN

David Ellison believes the legal backlash over his Warner Bros. merger is “not really about market share,” and not driven primarily by concerns over market competition, but by politics.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Little Women' Star Florence Pugh Says “Everybody's Angry" About Gerwig Directing Snub

January 13, 2020 Jordan Ruimy

When the Academy announced its 2020 Oscar nominations and not one woman was among the Best Director nominees, as you can imagine, social media flipped, outrage ensued. Nominations presenter Issa Rae even got the ball rolling, by saying, “Congratulations to those men” after the category was announced by her and actor John Cho.

Yes, there were some excellent films from female directors this year, particularly Celine Sciamma’s “Portrait of a Lady on Fire,” and Lulu Wang’s “The Farewell,” but both are in a foreign language and, unless you’re named “Parasite,” we all know how the Academy frowns upon subtitles. Then there’s the Greta Gerwig issue. The director’s period drama “Little Women,” failed to make Gerwig one of only five women to have landed a Best Director nomination in history — Gerwig was shut out of the race this year. Did she even deserve to be a part of it? That’s a whole other question for a whole other debate.

Speaking to Deadline, “Little Women” actresses Saoirse Ronan and Florence Pugh, along with their producer pal Amy Pascal voiced their discontent towards the academy, in regards to today’s Gerwig snub.

“I’m really happy that the Academy recognized [Gerwig] for Adapted Screenplay and Picture, and I feel like if you’ve been nominated for Best Picture, you have essentially been nominated for Best Director,” Ronan said. “But to me, Greta, since she started, has made two perfect films, and I hope when she makes her next perfect movie, she gets recognized for everything, because I think she’s one of the most important filmmakers of our time.”

Pugh called the snub “a big blow” and said, “I think everybody’s angry and quite rightly so. I can’t believe it’s happened again, but I don’t really know how to solve it. I don’t know what the answer is, other than we’re talking about it.”

Producer Amy Pascal added that she’s “incredibly disappointed about [the directing snub] because she really deserved it.”

And so, who are the five lucky women who made Academy history by being nominated for Best Director? Well, Gerwig is one, having done the feat wo years ago with “Lady Bird.” The others are Lina Wertmüller (“Seven Beauties”), Jane Campion (“The Piano”), Kathryn Bigelow (“The Hurt Locker”), and Sofia Coppola (“Lost in Translation”). There is a long way to go to right this wrong, but it doesn’t necessarily have to do with the Academy as much as it does in giving female directors more of a chance to strut their stuff via ample opportunity (which was just not there for them until very recently, when all of these movements started to happen and inclusivity actually became a point of important contention in the industry)

← Damn You, Oscar!Oscar Nominations 2020: ‘Joker’ Leads with 11 Nominations, J-Lo and De Niro Snubbed →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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