• Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_7208.jpeg
Tony Kaye Revisits the ‘American History X’ Final Cut Battle in ‘Humpty Dumpty X’
IMG_7205.jpeg
‘Supergirl’ Box Office Sinks to $38M Opening, Falling Behind ‘The Marvels,’ and ‘Morbius’
IMG_7196.jpeg
Brad Bird is Pushing Netflix to Release ‘Ray Gunn’ in Theaters: “I Don’t Know If They’re Listening”
IMG_7194.jpeg
Christopher Nolan Says Hollywood Needs More Risk-Taking: “The Biggest Risk is to Play it Safe”
IMG_7184.jpeg
Mike Flanagan’s ‘Exorcist’ Reboot Title Seemingly Confirmed as ‘Exorcist: Martyrs’
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

World of Reel

  • More
    • Yearly Top Tens
  • Interviews

Box-Office: ‘Spider-Man: Far From Home’ and ‘Toy Story 4’ Dominate

July 14, 2019 Jordan Ruimy

“Spider-Man: Far From Home” earned $45 million domestically this weekend, it has now accumulated over $274.5 million Stateside and $847 million worldwide. The billion dollar mark is all but inevitable for this Sony/Disney venture. Whereas, Pixar’s “Toy Story 4” continued to prove itself worthy adding in an extra $20.6 million to its $346.3 million domestic total.

As for the new releases, “Crawl” opened with a $12 million domestic intake, which means, if you also count the $5M the film made overseas, it has made back its entire $13.5 million budget.

The Kumail Nanjiani-Dave Bautista buddy-cop comedy “Stuber” was not as successful, having earned only $8 million the past three days.

Also, it does not look like “Midsommar” will be any kind of breakout hit for A24, as, despite good reviews, the Ari Aster-directed horror movie added only $3.5 million in its third week ($18M domestic intake). With all that being said, the film has more than surpassed its reported $9M budget and sets up, quite nicely, a potential new era of art-house horror indie cheapies.

A24’s major breakthrough, however, was for Lulu Wang’s “The Farewell,” starring Awkwafina, which had the best per theater average of any 2019 film released so far opening with $351,330, but a $87,000 per theater average.

Brace yourselves, “The Lion King” is coming next week.

← Scarlett Johansson on Ciswashing Controversy: “I Should Be Able To Play Anyone”SDCC: The Obvious and Not So Obvious Things to Expect at Comic-Con →

FOLLOW US!

No results found

Trending

Featured
IMG_6753.jpeg
‘Project Hail Mary’ Tops World of Reel’s Midyear Critics Poll, as Voted by 100+ Critics
77A3495A-3028-4EF4-997B-1FFC576CA5E0.jpeg
Steven Spielberg’s Best Films, According to 100+ Critics
Capture.PNG
What’s the Best Four-Film Run by a Director?
IMG_6348.jpeg
Clint Eastwood Turns 96 as Son Kyle Says the Legendary Director Has “Retired”

World of Reel RSS

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025