Anton Yelchin was only blossoming as a young actor when he tragically died of a freak accident back in June of 2016. As a performer, it’s so easy talking about his talents, because he was unequivocally brilliant and intensely into his art. It has to be said, but his career was mostly filled with supporting turns, and some lead roles, but he always found a way to steal the show. The last time we saw Yelchin on-screen, he stole scenes from the highly talented Anya Taylor-Jones and Olivia Cooke in “Thoroughbreds,” a pitch-black crime drama in which his drug-dealing smack-talker turned out to be the moral compass of the film. That was the beauty of Anton, he always loved to choose bizarre characters and fully flesh them out to make them feel humane.
Watching Garret Price’s “Love, Anotsha,” the upcoming Sundance-premiered doc about Yelchin’s life, you start to realize how Yelchin was a universally loved individual because he didn’t have a bad bone in his body. In the doc, more than 60 people are interviewed, friends, family members and collaborators (including a very emotional Jennifer Lawrence). Their reminiscences of their dearly departed friend comprises most of the more touching moments of the doc. But, more impressively, Price tells us Yelchin’s story through the vast amount of footage he found from the late actor’s life. It turns out that Yelchin would frequently bring a camera with him wherever he went, from childhood on, to the point where director Garret Price actually uses Yelchin’s recorded tapes to form the narrative and tell the story of his life.
Even if the viewer may not be aware of Yelchin’s career, they are still left floored by the doc because Yelchin was such a hard person to dislike. In fact, he went out of his way to always make the people around him feel comfortable — all of this, despite the shocking confession from his parents that Yelchin had been suffering, since his early teens, from cystic fibrosis, an illness that significantly shortens a person’s life.
Of all the Yelchin performances, I would bank on “Alpha Dog” standing the test of time, he breaks your heart in that movie, which has been gaining a considerable cult following since its 2006 release. That's the thing about Yelchin, he never truly hit his stride but, much like River Phoenix and James Dean, left us with a body of work so impressive that it ultimately left us pondering what could have been.[B+]
The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.