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Eli Roth Admits ‘Ice Cream Man’ Used AI After Previously Saying It Didn’t: “I Misspoke”

The film arrives unrated, set to screen in 2,000+ theaters this weekend, but is already plagued by disastrous early reviews, amounting to a 29% score on Rotten Tomatoes.

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Paramount’s Warner Bros. Deal Could Get $1.3 Billion More Expensive as Judge Sets Worst-Case-Scenario March 2027 Trial

The judge in the antitrust suit against Paramount’s proposed acquisition of Warner Bros. has set the trial for March, rather than the November date Paramount requested. That is catastrophic for David Ellison.

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James Cameron Is Ready to Move on From ‘Avatar’ and Tell “Other Stories”: “I’m Mapping Out the ‘Last Act’ of My Career”

In a new interview, James Cameron admits that he is considering which other stories he wants to tell, beyond Avatar, adding that he’s mapping out the “last act” of his career.

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Emily Wilson Doubles Down, Says Christopher Nolan’s ‘The Odyssey’ Is “Visually Stunning, Emotionally Empty”

Apparently, Wilson isn’t done attacking Nolan’s The Odyssey. In fact, she seems outright pissed, publishing a new The Atlantic op-ed where she even slams the film’s $69.99 popcorn bucket

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David Ellison: Paramount-WBD Merger Backlash Is “Not Really About” Antitrust — It’s About CNN

David Ellison believes the legal backlash over his Warner Bros. merger is “not really about market share,” and not driven primarily by concerns over market competition, but by politics.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Irishman’ Garners An Astounding 17 Million Viewers In Its First 5 Days On Netflix

December 6, 2019 Jordan Ruimy

Since I have been both an admirer and detractor of the way Netflix has treated Martin Scorsese’s “The Irishman,” it is only fitting to see what the actual viewing numbers are for Scorsese’s magnum opus. Of course, a proper theatrical release in thousands of locations would have been ideal for this movie, but then again, “The Irishman” wouldn’t exist without Netflix deciding to churn out $160 million for the film — something other big studios refused to do. If the early reports of viewership are accurate, it seems that a lot of people actually sat down to watch the 3.5-hour movie.

According to Nielsen estimates (via Variety), an incredible 17.1 million people in the US checked out “The Irishman” on Netflix during its first five days of release. This is, of course, an estimate from Netflix, based on the “average minute audience” of 13.2 million viewers. We can’t confirm that this is the number of people who watched the entire film from beginning to end. There must have been an incalculable number of people who started it and just haven’t finished watching it yet.

And so, what I really want to know is how many people actually saw the movie from beginning to end? Nielsen says that on the film’s debut date, 751,000 viewers (roughly 18% of the total viewership) watched “The Irishman” in its entirety. On Friday, November 29, 930,000 folks saw the whole thing.

Netflix likes to call views “hits,” so, if you take for example past Netflix originals in terms of the amount of “hits,” “Bird Box” and the recent “El Camino,” garnered around 25 million each in their first 7 days. Of course, these two films weren’t 3.5 hours long and were much more accessible to the mainstream. So, yes, the 17 million hits “The Irishman” garnered is quite an impressive feat. Now, will Oscar voters go past their Netflix biases and actually name Scorsese’s movie Best Picture of the Year?

“The Irishman” is on Netflix right now for you to stream.

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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