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‘Cliffhanger’ Reboot Sets February 24, 2027 Release

That $100M budget is a steep investment for a movie without conventional A-list headliners — unless Lily James and Pierce Brosnan fit that description for you.

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Mark Ruffalo Accuses Ellisons of “Genocide,” Paramount Calls Remarks “Antisemitic”

Something tells me Mark Ruffalo won’t be starring in a Paramount movie again anytime soon. Ruffalo is now accusing the Ellison family of complicity in “genocide,” escalating his already fierce merger opposition.

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Josh Brolin Says ‘Sicario 3’ Is “Happening” and Will Shoot “Soon” — But Who’s Directing?

This is a significant update for a project that has been stuck in development for years, and comes roughly a year after Brolin said “Sicario 3” was a maybe.

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‘The Odyssey’ Hits VOD, 4k Blu-Ray Release on November 17 — Exactly 120 Days After Theatrical Release

Nolan’s “Oppenheimer” followed a similar four-month window, landing on digital and physical media at the same time. Universal also waited until roughly a month before making it official.

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Box-Office: ‘The End of Oak Street’ Stumbles 62% as ‘Insidious: Out of the Further’ Eyes $25M Opening, ‘Spider-Man: Brand New Day’ Holds No. 1

The big wide release this weekend is “Insidious: Out of the Further,” backed by Sony and Blumhouse. This is the sixth ‘Insidious’ movie, and since they are made cheaply, it won’t be the last.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Terry Gilliam Admits to Hating ‘Black Panther' and Calls Its Cultural Impact “Bullshit"

December 22, 2019 Jordan Ruimy

If only Terry Gilliam could direct a superhero movie. His off-beat, humorous and surreal style just demands it, especially in a genre that has been repeating the same formula for more than a decade now. But, make no mistake about it, Gilliam is not a fan of the MCU and will likely never director an MCU installment.

In an exclusive interview with IndieWire, Gilliam spoke out against the towering reign of Marvel movies at the box-office, saying “I don’t like the fact they’re dominating the place so much,” he said. “They’re taking all the money that should be available for a greater variety of films. Technically, they’re brilliant. I can’t fault them because the technical skills involved in making them are incredible.”

Gilliam then went on to criticize “Black Panther,” which earned more than $1.3 billion worldwide, was critically-acclaimed and was seen as a culture touchstone for its diversity and inclusion. I didn’t buy the hype in 2018 when I saw “Black Panther,” much to the backlash I got for my negative take, and neither did Gilliam, who seems to despise Ryan Coogler’s MCU film.

“I hated ‘Black Panther.’ It makes me crazy. It gives young black kids the idea that this is something to believe in. Bullshit. It’s utter bullshit. I think the people who made it have never been to Africa,” he said. “They went and got some stylist for some African pattern fabrics and things. But I just I hated that movie, partly because the media were going on about the importance of bullshit.” He went on to add, “We’re in the era of the victim. We are all victims. It’s all somebody else, abusing us, taking advantage of us. We are powerless, except that we go out and do other things,” he said.

I don't want to delve again into the nitty-gritty about superhero movies, I've tackled this topic countless times on this site, but I will say this: Not every Marvel movie is the same. As much as I dislike some of the MCU releases, and do agree with Gilliam that ALL of these movies are predictable and are, basically, carefully assembled marketing packages, I do think there are exceptions to the rule. For example, I love how “Iron Man 3,” “Guardians of the Galaxy,” and “Captain America: The Winter Soldier” tried to break the mold and set themselves apart from the others. These were worthy additions to a genre which should shake things up more often than they do.

Bless Terry Gilliam's rebellious heart, the director of such classics as "Monty Python and the Holy Grail," "Brazil," "12 Monkeys," and "Fear and Loathing in Las Vegas" is no fan of superhero movies, even going as far as to calling the whole genre “boring” in an older interview. In that same interview, he has expressed his enjoyment at watching, of all the possibly MCU films, “Avengers: Infinity War.”

← ‘Respect': Jennifer Hudson Will Aim For A Second Oscar in 2020 [Teaser]Greta Gerwig's ‘Little Women' Falls Flat [Review] →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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