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Jon Hamm and Andrew Koji to Star in Takashi Miike’s Psychological Thriller ‘Bullfrog’

Miike has directed a whopping 114 films and TV productions. Almost nobody has seen all of them, and if you have, you're not just a completist—you're a madman.

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Aaron Pierre to Star in ‘Sisu’ Director’s ‘Fairytale in New York’ at Netflix

Netflix and Lionsgate are teaming up on “Fairytale in New York,” a new action thriller starring Aaron Pierre, with “Sisu” helmer Jalmari Helander directing. Netflix will distribute and Lionsgate will produce.

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Margot Robbie Will Star in Kristoffer Borgli's ‘The Week of Pain' for A24

Borgli and Robbie had been talking about her starring in his next film, and she's now committed to shooting it sometime in 2027, which means it will likely come out in 2028.

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Can Amanda Seyfried Get an Oscar Nomination for a Documentary? Globes, BAFTA and SAG Deem Her Ineligible

In the “doc,” Seyfried appears in the dramatized reenactments of moments that were never filmed. Is that a performance or a documentary device? The awards bodies can't agree.

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Box Office: 'Ebenezer' Hits $1.5M in Previews, 4.5-Star PostTrak Overrules Critics; ‘How to Rob A Bank’ Falls Flat With $900K

I mentioned that French audiences have been rating “Ebenezer” highly. It has a 4 on AlloCiné, which is roughly an A/A- CinemaScore. Well, last night's PostTrak for U.S. audiences was just as good, with 4.5 stars.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

World of Reel

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Confirmed: The Man Who Killed Don Quixote will close the 71st Cannes Film Festival. What if the whole thing is a huge prank 20 years in the making?

April 19, 2018 Jordan Ruimy
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I won't go into great detail about the bad luck and mishaps that have hampered-down Terry Gilliam's passion project "The Man who Killed Don Quixote" for the better part of three decades now. At some point, it seemed like the cursed project, which finished production on June 4th and is now practically completed in the editing room, was on course to be released this year with even a Cannes premiere booked in advance. After all, they most definitely resolved the last setback, John Hurt's death, which was settled with Gilliam regular Jonathan Pryce taking over the role.  but legal issues were indicating that Gilliam wouldn't be there.

Gilliam to the The New York Times:

“Well, we’ve almost finished the cut, we’re just fiddling now, figuring out a few things here and there so it’s pretty much what it is. We’ve got still months of work to do on visual effects, sound, music. But as far as the tale, it’s pretty tight now and it’s surprisingly wonderful. I always hesitate to get too optimistic or too excited about the work I’m doing,” he told The Times. “I’d rather try to stay cynical and slightly distant from it. When you fall in love with something, it’s painful when it doesn’t work for everybody else. But all the people who’ve seen it so far — they used the words, ‘We’re in love with this.’ So let’s see if they’re right.”

Yep, things weren't lookin' quite rosy for Gilliam that is until today.

Cannes has announced that "The Man Who Killed Don Quixote" will premiere out of competition at the 71st edition of the festival which will happen next month.

What if the whole thing is a huge prank 20 years in the making?

← Lars Von Trier, Yann Gonzalez, Nuri Bilge Ceylan, “Fahrenheit 451," and Whitney Houston documentary added to official selection Looks like Amy Schumer's “I Feel Pretty" is another nail in the coffin for her career →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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