Zack Snyder woke up in Toronto the morning after his premiere and did the one thing no filmmaker should ever do the morning after: he opened X.

Tim Blake Nelson has been making films for thirty years and hasn't directed a narrative feature in more than ten. "The Life and Deaths of Wilson Shedd," is the best thing he's done since "The Grey Zone.”

Following “Air,” this is Affleck’s latest stint behind the camera. He has cast himself in the lead role, alongside Kerry Washington, Steven Yeun, and Gillian Anderson (“The X-Files”).

Caviezel hasn't led a major studio release since TriStar's "When the Game Stands Tall" in 2014. That changes in November with Sony's "Ghost Soldier."

Still no distributor for "Bucking Fastard," "Alpha Gang," "The Last Photograph," "Closing Night," and "The Life and Deaths of Wilson Shedd." The issue seems to be quality more than a lack of willingness to buy.

"Minotaur" won the Grand Prix at Cannes. A two-time Oscar nominee who already has the Golden Lion for "The Return," Best Screenplay at Cannes for "Leviathan," and the Jury Prize in 2017 for "Loveless.

Netflix and Skydance Animation have also called it quits. The two sides announced Monday that they're ending the animated film deal struck back in 2023, framing it as a mutual decision.

Edward Berger seems to have settled on what comes next. His Lance Armstrong biopic, starring Austin Butler, is now holding casting calls, with production eyed for January.

In "Last Meals," Mikkelsen stars as Walter Karat, a disgraced former White House chef now preparing final meals for death row inmates at a maximum security prison.

After its much-reported Venice premiere, Israel's culture minister is vowing to strip citizenship from the two Israeli filmmakers behind "NAZA."

I wouldn't call this film great — it stops short of that because of how neatly it resolves itself — but I'll give Rock his due here: this is much better than his previous directorial effort, "Top Five."

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

Netflix has finally decided to stop teasing us with cryptic teasers and has given us an actual trailer for “The Further Mis-Adventures of Cliff Booth,” David Fincher's Quentin Tarantino-scripted 'Once Upon a Time... in Hollywood' sequel.

To say it blew the roof off the place would be an understatement. I don't think I've ever seen a Toronto audience — any festival audience — embrace a movie the way they did last night.