Brady Corbet, the director behind “The Brutalist,” is in pre-production on his next film, which is set to shoot in Portugal and South Africa.

Below is our first look at Paul Mescal (Paul McCartney), Barry Keoghan (Ringo Starr), Joseph Quinn (George Harrison), and Harris Dickinson (John Lennon) in Sam Mendes’ “The Beatles.”

In Holly Brickley’s original novel, the character is described as being “half-Jewish and half-Mexican,” a detail that has become central to the backlash surrounding the casting. 

Almost two months after Quentin Tarantino’s savage comments, Paul Dano is finally responding to the viral diss.

So, there you have it — “Melania” might turn out to be one of the most beautifully photographed docs you will see this decade.

This version is reportedly being referred to as the “all the stitches” cut — aimed at fans who want more of his full vision. It’s not yet official where it will appear.

Threapleton joins a cast that already includes Daniel Craig, Cillian Murphy, and Michelle Williams. Lol Crawley (“The Brutalist”) is serving as cinematographer.

Sydney Sweeney and Noah Centineo are set to star in “Gundam,” adapted from the Japanese sci-fi franchise centered on giant robots. Netflix just acquired the project.

Here comes Chad Stahelski’s “Highlander,” for which we have our first look at Henry Cavill as the lead.

While his “Blue Moon” appears to be slightly more acclaimed stateside, Richard Linklater’s “Nouvelle Vague” dominated César Awards nominations—France’s Oscars—with 10 nods.

A24 has emerged victorious in what was a heated, multi-studio bidding showdown for “The Invite,” the much-talked-about Sundance title from Olivia Wilde and Annapurna.

Apple is finally dusting off “Mayday,” a completed Skydance film it’s been sitting on for almost two years.

Boots Riley’s “I Love Boosters” was recently slated for a May 22, 2026 release. It was also announced to open the 40th SXSW Film Festival in March 2026.

Shot in April 2023, Goldhaber’s film, a “modern” take on the premise of the 1978 cult classic, might finally be coming out.

Hollywood is so entrenched in their IP obsession that they somehow believe a “Dirty Dancing” sequel, starring Jennifer Grey, now 65, will hit pay dirt.

Andrew Stanton’s “In the Blink of an Eye” had a weirdly subdued premiere last night at Sundance — only three reviews published so far, all pans.

Neon has picked up the queer horror mashup “Leviticus”, a story centered on conversion therapy, reportedly in the $5M+ range.

A few months back, I reported that Triet’s film would be set in a psychological facility — a tense, contained “huis clos” (closed-door) drama with crime elements woven through its psychological core.

Given that trajectory, the idea that a fourth instalment is now in active development doesn’t just make sense—it feels inevitable.