While his “Blue Moon” appears to be slightly more acclaimed stateside, Richard Linklater’s “Nouvelle Vague” dominated César Awards nominations—France’s Oscars—with 10 nods.

A24 has emerged victorious in what was a heated, multi-studio bidding showdown for “The Invite,” the much-talked-about Sundance title from Olivia Wilde and Annapurna.

Apple is finally dusting off “Mayday,” a completed Skydance film it’s been sitting on for almost two years.

Boots Riley’s “I Love Boosters” was recently slated for a May 22, 2026 release. It was also announced to open the 40th SXSW Film Festival in March 2026.

Shot in April 2023, Goldhaber’s film, a “modern” take on the premise of the 1978 cult classic, might finally be coming out.

Hollywood is so entrenched in their IP obsession that they somehow believe a “Dirty Dancing” sequel, starring Jennifer Grey, now 65, will hit pay dirt.

Andrew Stanton’s “In the Blink of an Eye” had a weirdly subdued premiere last night at Sundance — only three reviews published so far, all pans.

Neon has picked up the queer horror mashup “Leviticus”, a story centered on conversion therapy, reportedly in the $5M+ range.

A few months back, I reported that Triet’s film would be set in a psychological facility — a tense, contained “huis clos” (closed-door) drama with crime elements woven through its psychological core.

Given that trajectory, the idea that a fourth instalment is now in active development doesn’t just make sense—it feels inevitable.

This year, strangely enough, going against annual tradition, Oscar nominations were announced before BAFTAS, lessening the excitement surrounding this morning’s announcement.

Fresh off her SAG nomination for supporting actress, “Marty Supreme” breakout Odessa A’zion has joined the cast of Sean Durkin’s “Deep Cuts,” which is being produced by A24.

A few days ago, a secret screening took place at Sundance — not for press or industry, but for buyers, particularly distributors.

Almost exactly a month after “Kill Bill: The Whole Bloody Affair” hit theaters, this unified and extended 275-minute cut is now setting its sights on physical media.

“Send Help” is gleefully sadistic, a morality play where greed, vanity, and cruelty collide in a constant game of escalation.

Raimi wrote and directed the 1990 superhero movie, which starred Liam Neeson as a scientist who returns from the dead to exact revenge on the people who burned him alive.

It’s more than enough that “Avengers: Doomsday” has December 2026, and. Its follow-up, “Avengers: Secret Wars,” will hit theaters a year later, but to milk it this way? Stop the madness!

Apparently, the feud started on the set of their 2017 film “Good Time,” with Benny cutting ties with his brother in 2023.

Some had predicted ‘Klara’ would surface in 2024, but that never materialized. The same whispers suggested a 2025 release — nope. Now it looks like 2026 will be the year.