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David Fincher’s ‘Cliff Booth’ Reshoots Set for August — Jeff Cronenweth to Replace Erik Messerschmidt as DP

The film had actually wrapped its six-month production in January 2026, and it’s been in post-production for the last eight months. Fincher is well known for taking his time in the editing room.

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Sam Neill’s Final Role Will Be in ‘The Legend of Zelda’

Sam Neill had filmed four projects back-to-back over the past year, all of which would be released in the coming months, including “The Legend of Zelda.”

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Gareth Edwards Exits ‘Jurassic World’ Sequel Due to “Creative Differences”

Universal and Amblin are moving forward with the next ‘Jurassic World’ movie, but Gareth Edwards is not expected to return as director following “creative differences.”

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Emmanuel Lubezki Set as DP on Ben Stiller’s WWII Thriller ‘Airman,’ Starring Jeremy Allen White, A24-Backed

Lubezki’s participation in the film doesn’t seem so far-fetched when you realize that he was also the DP on Stiller’s “Reality Bites,” way back in 1994. They haven’t worked together since.

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‘Run Hide Fight: Infidels’ Trailer: Jonathan Majors’ Comeback Is a Culture-War Fever Dream, Produced by Ben Shapiro

Here’s the moment we’ve all been waiting for, a trailer Jonathan Majors’ “comeback vehicle” — titled “Run Hide Fight: Infidels,” and backed by Ben Shapiro’s The Daily Wire.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Melania’ Sets Rotten Tomatoes Record for Widest Critics vs. Audience Gap

February 6, 2026 Jordan Ruimy

On Monday, Rotten Tomatoes publicists were in full spin mode, insisting the gap for “Melania” scores—between the film’s 99% audience rating and its paltry 7% critics score—was not the biggest discrepancy in the aggregate’s history. Sure, because if you squint really hard, 99 minus 7 is just… a rounding error?

However, now RT is admitting that, yes, the 92-point difference is indeed the widest ever recorded for a movie. Are we shocked? These discrepancies continuously happen with films aimed at conservative audiences. That 2024 “Reagan” movie starring Dennis Quaid? 18% critics score, but 98% audience.

However, “Melania” is one for the history books—or at least Rotten Tomatoes footnotes—a film beloved by ticket buyers, most of whom voted for Trump, and reviled by critics, most of whom didn’t. It is officially the champion of extreme rating disparities.

Truly, a historic accomplishment.

Is it any wonder Amazon/MGM refused to screen “Melania” for critics? Press had to buy a ticket on opening day to review it. Quite honestly, is it possible for anyone to evaluate “Melania” with complete objectivity? One look at the lone four reviews on RT, and they all come from conservative-minded outlets: The London Evening Standard, The Epoch Times, The Standard, and The New Republic.

Those who bought a ticket got exactly what they expected, fully ready to embrace the doc, and critics had their knives sharpened the minute this project was announced—the result is something akin to a social experiment in mass schadenfreude.

Now, is “Melania” a good documentary? I wouldn’t know, and I have no interest in seeing it in theaters—maybe I’ll catch it when it hits streaming. At this point, though, it doesn’t really feel like a proper film; it comes across more as a vanity project aimed at female MAGA supporters curious enough about the first lady to buy a ticket. It’s in all likelihood this demo that has given it that 99% rating.

← Milly Alcock and Charlie XCX to Star in Takashi Miike’s Kyoto-Set Horror MovieColman Domingo Sets Directorial Debut Playing Nat King Cole in Biopic ‘Unforgettable’ →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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