Guillermo del Toro’s “Frankenstein” received decent reviews at its Venice premiere, yet now holds a 78 on Metacritic. Not exactly universal acclaim, but possibly enough to make it Netflix’s top awards-season priority

This shift may come as a relief, given Gilliam’s persistence, for almost seven years, to make ‘Carnival,’ but can he actually convince Paramount to make this thing?

Mann confirmed that his long-in-the-works Western “Comanche” is finally moving forward — though not with him in the director’s chair. Instead, Scott Cooper will take the reins.

Given the buzz, and the nearly finished cut that was recently shown, expect “The Drama” to possibly world premiere at the Sundance Film Festival in January.

Neon did previously announce that the film would hit screens in the fall, and it looks like “Alpha” is actually now playing, but it’ll only be shown at a handful of locations.

While history remembers the third installment as a studio-interfered disaster that nearly broke David Fincher before his career even began, Weaver is not wavering in her support.

Following a similar statement from Paramount, here’s Warner Bros, under the leadership of David Zaslav, pushing back against the largest boycott in recent entertainment history.

“Go Beavers!” centers on a lesbian college rowing team that reunites years later — only for members to begin mysteriously dying.

“When Evil Lurks” filmmaker Demián Rugna is denying rumors that he’s directing the ‘Alien: Romulus’ sequel, saying he wished “it were true.”

Clooney and Bening are set to star in the upcoming book adaptation “In Love,” based on Amy Bloom’s New York Times bestselling memoir. The film will be directed by Oscar nominee Paul Weitz.

Steven Spderbergh’s “The Christophers” currently sits at 97% on Rotten Tomatoes, and 73 on Metacritic. A 2026 theatrical release is being eyed.

The duo are set to reteam on “Lizard Music,” an adaptation of Daniel Pinkwater’s cult novel that Safdie will write and direct, with Johnson taking on the role of the eccentric “Chicken Man.”

“The Age of Disclosure” turned heads at SXSW in March. Its initial teaser went viral almost instantly, racking up over 20 million views.

The reviewer clearly fell under the film’s spell — calling it “gloriously, deliciously good” and “one of the year’s outstanding movies” — but the tone veers toward promotional ecstasy rather than critical distance.

“Dragons,” which is being described as “space horror,” is set to be Brandon Cronenberg’s fourth feature, following “Antiviral,” “Possessor,” and “Infinity Pool.”

Muschietti is reflecting on “The Flash” backlash, suggesting that audiences had already made up their minds before the movie even came out.

There’s enormous pressure resting on The Daniels’ shoulders right now. No matter what you thought of the film, following up a phenomenon like EEAAO isn’t just difficult, it’s nearly impossible.