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May el-Toukhy’s ‘Woman Unknown’ Wins the Golden Lion at Venice — Surprise!

The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.

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Cory Finley's 'Reasonable People,' Starring Paul Rudd and Sam Rockwell, Shoots This Fall

Cory Finley, a talented filmmaker, has directed three films so far: "Thoroughbreds" (2017), "Bad Education” (2020), and "Landscape with Invisible Hand.”

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Bassam Tariq Says Making ‘Blade' at Marvel Was ‘“a Different Thing”: “Somebody Else Is Running This”

Bassim Tariq was the first one in the chair. The "Mogul Mowgli" director spent two years building out the Mahershala Ali vehicle before exiting in 2022, and he's now letting the air out on this one.

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‘The Family Stone’ Sequel Greenlit at Searchlight, Fall Shoot, Reunites the Entire Cast — Except Diane Keaton

Claire Danes, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson, Tyrone Giordano, Elizabeth Reaser, Paul Schneider, and Brian White will all be back.

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Critics Are Fighting About ‘Fjord’ at TIFF; Sebastian Stan: “Not A MAGA Movie”

I was curious how Cristian Mungiu's "Fjord" would be received this fall. The Palme d'Or winner has become a culture-war flashpoint, and critics are more split on it than you might expect.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Sigourney Weaver Defends David Fincher’s ‘Alien 3’: “It’s So Utterly Different”

October 17, 2025 Jordan Ruimy

Say what you will about David Fincher’s “Alien 3,” and believe me, there’s been plenty said, Sigourney Weaver remains one of its most loyal defenders.

While history remembers the third installment as a studio-interfered disaster that nearly broke David Fincher before his career even began, Weaver is not wavering in her support for both the filmmaker and the movie’s bleak vision.

Appearing at New York Comic Con (via Joblo), Weaver spoke warmly about the much-maligned sequel:

I like it because it’s so utterly different from the first two. I felt that [20th Century] Fox was smart to keep choosing very gifted directors who wanted to do something completely different with the Alien story… I had total confidence in David.

That said, Weaver didn’t mince words about the original Vincent Ward script — the infamous “monks in space” version that has since become legend.

“It had all these monks in space, in a kind of medieval garden. My character, I guess, crash landed and then I was in a coma for about half the movie. So I wasn’t crazy about that script,” she recalled. “I feel like David would’ve loved a chance to work on the script before we had to start shooting… We did delay but not enough for him to feel he’d solved a lot of the problems.”

Weaver remains fiercely protective of “Alien 3,” calling it “meaningful” and refusing to compare it to “Alien” or “Aliens.”

And honestly, while I don’t quite share her enthusiasm, I’ll admit it — “Alien 3” isn’t the dumpster fire it’s often labeled as. Yes, it’s dour, uneven, and clearly the product of too many cooks, but Fincher’s can be noticed are all over it. The film’s grim fatalism and stripped-down atmosphere is something legacy sequels rarely do these days.

“Alien 3” has its defenders, including none other Christopher Nolan who confessed, only a few years ago, how utterly impressed he was by Fincher’s talents after seeing the film for the first time:

I’ve never dared mention (Alien 3) to him (Fincher). I think he’s very aware of the flaws and he’s very aware of the appalling experience he had making it, and how put-upon he was, and I truly can only imagine. But his talent shines through in that movie. I came out of that film and had a conversation with a guy I was with and I said, ‘I’ve just seen the new Ridley Scott. I know who the new Ridley Scott is, it’s David Fincher,’ and I wasn’t wrong. It’s there in the movie, whether he knows it or not.

So, what say you? Is “Alien 3” an underrated slice of nihilist sci-fi, or still a cinematic misfire that even Fincher disowns? This debate’s been festering for over 30 years. While the 2003 released “Assembly Cut” — running 30 minutes longer — is the closest we’ll ever get to Fincher’s intended vision, the true “director’s cut” has never seen the light of day. Fincher himself has admitted being too scarred by the experience to ever want to revisit the film.

← Julia Ducournau’s ‘Alpha’ To Release in Just Two Theaters This WeekendOscars: Teyana Taylor Rises to #1 in Supporting Actress Race — Despite Only 20 Minutes of Screen Time →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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