In Richard Linklater’s “Blue Moon,” Ethan Hawke sports a balding comb-over as Lorenz Hart. It’s the kind of casting that shouldn’t work on paper—but it does, gloriously, in fact. 

Andrew Stanton is now hinting that Woody and Buzz’s adventures may not end with “Toy Story 5,” which is set for release next year, dropping a subtle hint in the process.

The two big fall festival titles that have yet to be sold are not easy sells: Mona Fastvold’s “The Testament of Ann Lee” and Kaouther Ben Hania’s “The Voice of Hind Rajab.”

Now that “The Bikeriders” is behind him, Jeff Nichols is looking to make a new film. However, according to one of his go-to actors, he’s struggling to find financing.

The film will hold its world premiere at the Zurich Film Festival on September 28, nearly four years since its behind-the-scenes chaos began.

If “The Super Mario Bros. Movie” (2023) proved anything, it’s that audiences wanted exactly what Hollywood was selling: nostalgia, safe IP, and cheerful spectacle.

The “Highlander” reboot has faced several delays. Chad Stahelski originally aimed to begin filming in late 2024, later shifting toward a January 2025 start, and now that September 2025 date has been nixed as well.

MUBI acquired the film for $24M, the biggest deal to come out of Cannes this year. Since then, the film has gone under the radar, skipping TIFF and Telluride.

You’ve probably read—or at least overheard—the gushes about Chloé Zhao’s “Hamnet” at Telluride, all the talk of it as a best-picture contender. Is the hype justified?

Honestly, I had no idea this kind of response would happen — it really shows just how big Japanese anime has become with Gen-Z and millennials.

This year’s thin Best Actress race could benefit Sweeney’s awards trajectory. “Christy” will be the first release via Black Bear’s new distribution arm, which has given it an awards-friendly theatrical release date of Nov. 7.

The review embargo lifted last night, less than 24 hours before Thursday previews are set to begin. The reviews aren’t good, with a few tongue-in-cheek reviews referring to it as “sh*t sandwich.”

Aaron Sorkin’s ‘The Social Network Part II’ will be shooting next month under the working title “Goliath.” The exact production dates are October 20, 2025 – December 10, 2025.

Bellocchio says he was drawn to the story of “an Italian who challenges two giants in America, GM and Chrysler, and wins.” He described Marchionne as brilliant, courageous, “a tragic winner”

After eight years away, Daniel Day-Lewis is back. The three-time Oscar winner (“My Left Foot,” “There Will Be Blood,” “Lincoln”) has ended his self-imposed retirement to star in “Anemone.”

Lulu Wang hasn’t helmed a film since her 2018 Sundance hit “The Farewell,” but that’s about to change very soon as she’s now set up her next feature.

One of these films is not even in French. Panahi’s Palme d’Or winner is Iranian but had some French financing behind it. It’s not as if Iran was ever going to select it as their entry.