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Skydance Opens Warner Bros.' Books, “Shocked” to Find ‘Digger' Set to Lose $250M+ — Far Worse Than Reported

Skydance execs, who arrived on Tuesday at their new offices (formerly Warner Bros), opened the books and "were shocked to learn the extent of the loss" on "Digger.”

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The Best Films Directed by Actors — ‘Night of the Hunter,’ and Everything Else

I recently stumbled on a 2009 Film Comment poll in which critics picked the best films directed by actors. There was one condition: the actor had to have directed fewer than five films.

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Sandra Hüller is in ‘Avengers: Doomsday’

Hüller isn't done with 2026 yet. She's already racked up four movies this year: "Rose," "Fatherland," "Project Hail Mary" and "Digger." Now there's word of a fifth, and it’s bigger than anything else she's done.

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‘Fast Forever' Has No Director and No Script — Despite Vin Diesel Saying He Cried Reading It

Apparently, Universal is looking for a new director, which suggests "Fast X" helmer Louis Leterrier won't be back. Meanwhile, Diesel recently teased on Instagram that.. he might direct it himself?

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Two Months After Quitting Acting, David Krumholtz Lands a Role in HBO's ‘The Trial of Louise Woodward’

Remember when David Krumholtz quit acting? That was two months ago. He said he had sent the "definitive email" and described feeling the weight of the world lift off his shoulders.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Daniel Day-Lewis on ‘Anemone’ Comeback: “I Never Intended to Retire”

September 10, 2025 Jordan Ruimy

After eight years away, Daniel Day-Lewis is back. The three-time Oscar winner (“My Left Foot,” “There Will Be Blood,” “Lincoln”) has ended his self-imposed retirement to star in “Anemone,” a film directed by his son, Ronan Day-Lewis.

The project, co-written by father and son, will world premiere at the New York Film Festival before opening Oct. 3 via Focus Features. The story centers on a recluse in the forests of Northern England whose life is disrupted when his estranged brother (Sean Bean) resurfaces. The cast also includes Samantha Morton, Safia Oakley-Green, and Samuel Bottomley.

Day-Lewis famously announced he was “retired” in 2017 after “Phantom Thread,” his final collaboration with Paul Thomas Anderson. At the time, he claimed he would never act again, but speaking to Rolling Stone this week, the actor admitted that the announcement might have been premature:

I never intended to retire, really. I just stopped doing that particular type of work so I could do some other work. Apparently, I’ve been accused of retiring twice now. I never meant to retire from anything.

So what changed? His son. According to DDL, Ronan wouldn’t make the film without him:

As I get older, it just takes me longer and longer to find my way back to the place where the furnace is burning again. But working with Ro, that furnace just lit up. And it was, from beginning to end, just pure joy to spend that time together with him.

If all of this sounds familiar, it’s because Day-Lewis has “retired” before—most notably in the late ’90s when he left acting to become a cobbler in Italy, before returning with Scorsese’s “Gangs of New York.” This latest comeback feels different: smaller, more personal, a collaboration with family rather than a grand statement.

Still, it’s Day-Lewis. His return will dominate conversation this fall, especially with “Anemone” rolling out during awards season. Whether the performance adds a fourth Oscar to his mantle is another question entirely.

It’s great having this acting giant back on the big screen, and hopefully “Anemone” is only the start of another major post-retirement comeback.

NOTE: Interesting detail from this interview is that it seems to include a mini-review from Rolling Stone film critic David Fear:

A truly extraordinary drama about brothers, mothers, and, yes, fathers and sons. And it’s as much an introduction to a new talent as it as reintroduction to a veteran one.

Taking its title from the name of a delicate flower whose petals close when a storm approaches, Anemone tells the story of a former British soldier named Ray (Day-Lewis), who lives in the remote woods the North of England. His sibling, Jem (Sean Bean), has traveled to the small shed that his stoic, hermit-like brother calls home. It seems that Ray’s teenage son, Brian (Samuel Bottomley), is on the verge of following the same self-destructive path as his dad. Both the boy’s uncle and his mother, Nessa (Samantha Morton), want to save him before it’s too late. To do that, Ray will have to confront his past. And that’s not going to be easy.

It’s an intense, joyous, sorrowful, and sometimes absurd family drama that occasionally veers into the sort of strange, hyperreal territory that involves giant fish, freak hail flurries, and an elongated, camel-like creature with a human face and a tiny penis.

← Marco Bellocchio, 85, Isn’t Slowing Down: Italian Master to Direct Biopic ‘Falcon’Lulu Wang Sets First Feature in Seven Years: ‘Audition’ with Lucy Liu and Charles Melton →

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Critics Polls

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We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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