Does anyone remember Siân Heder “CODA”? It snagged Best Picture in 2022? Truly the Academy's boldest move since... well, ever. A heartwarming Apple TV+ flick about a deaf family that had Oscars voters going for the feel-good vote over far superior films.

The last 15 years have been a relentless cycle of familiar IPs driving ticket sales worldwide. Yet, despite this, one original film has managed to break through the noise: Ryan Coogler’s “Sinners.”

It’s June 2, 2020. The pandemic is in full swing, and the small town of Eddington, New Mexico is descending into madness. Paranoia, mask wars, and a battle for control of the town—this is the backdrop of Ari Aster’s newest descent into chaos.

Audiences seem underwhelmed by its tonal shift from Orwell’s bleak satire toward a more family-friendly narrative, which apparently includes lots of flatulence.

Known primarily for her roles in “Euphoria” and “Reality,” Sweeney appears to be making a sharp turn by shedding her bombshell image in favor of something grittier.

Boyle has now revealed that “Sunshine” was nearly the start of something bigger. The filmmaker, whose “28 Years Later” releases in just a few weeks, tells Collider that “Sunshine” was originally envisioned as the first part of a trilogy.

Now, six years later, “An Officer and a Spy” will finally see the light of day in the US as the film has set up an August 8 theatrical debut at NYC’s Film Forum.

“Unrecorded Night” was a mysterious project Netflix had initially approved, with Laura Dern and Naomi Watts rumored to star, only for COVID to pause development indefinitely.

Craig Brewer’s Snoop Dogg biopic has cast Jonathan Daviss (“Outer Banks”) in the lead role (via Deadline). No word yet on when production is set to begin.

It’s no shock to see Ryan Coogler’s “Sinners” take the top spot — it remains the only clear Best Picture contender to emerge in 2025 so far.

Honestly, not bad for a live-action remake. I’m not the targeted audience for it, but positive ink will surely help it commercially. Internal tracking has the film aiming for a $90M-$100M opening weekend.

Eddie Murphy's return to the big screen in “The Pickup,” which just released its trailer, doesn’t look like a comeback; it looks outright bad. Eddie Murphy looks bored. Pete Davidson isn’t funny.

Celine Song’s “Materialists” isn’t personal in the way her debut “Past Lives” was. It’s a self-aware riff on the classic love triangle rom-com, dressed up in the aesthetics of an A24 indie.

It appears James Gunn has decided to scrap Superman’s episodic title cards during the editing process. The film has been turned into a continuous, single narrative in the final edit.

Remember McG? Yeah, that guy with a single-letter last name who somehow convinced Hollywood he was the next big thing by directing “Charlie’s Angels” like a red bull commercial.

As the latest instalment, ‘Final Reckoning,’ continues its journey at the box-office— $450M worldwide and counting— I’ve decided to rank all eight films, some of which I hadn’t rewatched in almost three decades.

Apple TV+ has dropped the first trailer for “The Lost Bus,” the latest thriller from director Paul Greengrass with Oscar-winner Matthew McConaughey front and center.

Lars von Trier stories are always a fascinating ride — equal parts outrageous, uncomfortable, and oddly entertaining.

The legendary Robert Richardson is currently behind the camera on David O. Russell’s Madden, which is in the thick of production right now.