I’ve already delved into the tumultuous journey of Eli Roth’s “Borderlands,” which might have cost anywhere between $90M-$110M to produce.

Much to the chagrin of his detractors, Ruben Östlund has won the Palme d’Or twice, and he’s aiming to do it again when his next film premieres at Cannes.

This was supposed to be the series set inside Arkham Asylum prison and taking place within Matt Reeves’ “The Batman” universe. It’s been revealed that it is no longer happening, Max has shelved it (via Variety).

Esposito is part of the cast of Coppola's sci-fi drama, so there is a bias there, but he claims that, no matter how much it ends up making at the box-office, “Megalopolis” will have a lasting impact.

It says a lot about the current state of theatrical that there are 10 Cannes competition titles still seeking U.S. distribution, that’s half the comp slate.

I tried to avoid posting our mid-year readers’ poll the same week as our critics’ poll. Once you see the results, you’ll understand why.

Now that we know Ridley Scott will be directing the Bee Gees biopic next, I can give some details about the Western he was about to shoot this spring before he aborted the entire thing.

We were wondering how Eli Roth’s “Borderlands” managed to cast Cate Blanchett, in her first video game movie adaptation, and now we have an answer.

It’s become a monthly thing to update my Venice predictions. This latest list might be the final one, unless I hear of more intel coming in the next few weeks. The entire lineup is set to be announced on July 23.

An update regarding Todd Haynes’ next film, a detective noir starring Joaquin Phoenix. It’s set to start production next week and has added a very interesting cinematographer.

No surprise, “Despicable Me 4” is crushing it at the box-office. The Illumination/Universal animated film grossed $28 million on Wednesday.

Michael Mann has just joined Letterboxd. His follower count should be exploding at any given moment. To celebrate the occasion, Mann has decided to list his “14 favorite films.”

Deadline’s originally projected opening for “Deadpool & Wolverine” was a ridiculous $200M. Now THR actually has it at $165M, and that number sounds a little more reasonable.

Soderbergh, “fascinated” by her Eras Tour concert film, has apparently been studying Swift, and researched all behind-the-scenes chaos that comes in being the biggest pop star in the world.

Italy has been a total refuge for the legendary actor. Last year, they honored him with their most prestigious national film prize, the Stella della Mole Award for lifetime achievement.

Just because ‘Beverly Hills Cop 4’ is one of the better Netflix original action flicks does not mean it’s a great movie, hell, that doesn’t even mean it’s a “good” movie.