I’ve already seen Osgood Perkins’ much-anticipated “Longlegs” but was told not to publish my review until next Wednesday. It is unusual to be told that, but I’ll respect it. You must be wondering, why are they doing this? I’m not entirely sure, there are already 16 critics reviews logged into Rotten Tomatoes, where the film still has a 100% rating, but almost all of them are from genre publications. There’s no Variety, THR, IndieWire, Deadline, The Guardian etc. All of them, I’m presuming, are also holding off until Wednesday.
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“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.
The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.
Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.
Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.
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This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.
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Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.