They’re back. The Daniels, 21st century Godards of fart and dildo jokes, directed 2022’s “Everything Everywhere All at Once” to total domination of the 95th Oscars.

A social media user flagged an article in the Columbus Business Journal which included the claim that James Gunn’s “Superman: Legacy” would have a massive budget of $363 million …

“Dune: Part Two” actress Rebecca Ferguson has set the internet on fire with a whodunnit that has turned out to be more entertaining than any of Kenneth Branagh’s Hercule Poirot movies.

He might be “retired.” He might think the world is ending. Hell, he might even believe that “art is useless,” but nothing is going to stop Xavier Dolan from presiding over one of this year’s juries at Cannes.

Compared to the backlash Marvel has received from some of the best directors in the world, it’s only recently that actors have come out of the woodworks and criticized the process of acting in the MCU.

It’s looking more and more like Warner Bros has already shelved and officialized “Coyote vs Acme” as a tax write-off. The film’s lead actor, Will Forte, is now telling fans it’s very likely that they will never see the film.

There had been anticipation that Steve McQueen’s “Blitz” might go there, but it looks like a fall launch is now being eyed for the WWII epic. It will likely go to Venice now.

Three weeks ago, Coppola shared, via his Instagram, the title image for “Megalopolis.” Let’s hope a trailer is coming soon. I also recently read the original script for this film, and it’s really … wild.

Last night, George Miller’s “Furiosa” test screened in Burbank, Los Angeles.
All attendees signed very strict NDAs but some of them shared their “very general” opinion on the film.

I was wondering what was going on with this film. We hadn’t heard much of an update about it, for a while now. Finally, someone is dishing out what exactly is going on, and it’s not at all positive.

I missed this interview, but better late than never. Here’s Quentin Tarantino, via the Bret Easton Ellis podcast, describing his love for Steven Spielberg’s “West Side Story.”

Leslie Nielsen was sheer perfection in 1988’s “The Naked Gun: From The Files of Police Squad!” — if you can believe it, this was one of the films that most influenced Paul Thomas Anderson while he was making “Inherent Vice.”

The 2020s were marred by the pandemic. Productions shut down. Movies got delayed. Studios started fearing, more and more, creative balsiness. Then the strikes occurred, and that vicious cycle happened again, further interfering in the production process.

Sony and Oscar-winning filmmaker Sam Mendes’ ambitious plans to make four separate theatrical films, one on each of the members of The Beatles, certainly turned heads when it was announced last week.

I wish I had liked David Fincher’s “The Killer” more than I eventually did — all the pieces were there for Fincher to deliver another great film, but the end result, although visually assured, was a disappointing turn from a director we expect more from.

There were two major standouts at this past January’s Sundance Film Festival: Jesse Eisenberg’s “A Real Pain,” and Jane Schoenbrun’s “I Saw the TV Glow,” which screened in the festival’s Midnight section — the latter now has a trailer.

UPDATE: Here’s our first look at Bill Skarsgard in “The Crow.” As you can see, they’re not looking to replicate Brandon Lee’s iconic look in the 1994 film. This is a brand new interpretation of the cult classic.

The Coppola clan seem to really love “Rumble Fish.” If you remember, Sofia Coppola put the 1983 film on her Sight and Sound ballot, and her father, the man who made it, seems to love it just as much.

Five months after the film was originally scheduled to be released, but was delayed because of the strikes, “Dune: Part Two” will be bringing some wealthy numbers at the box-office this weekend.

After yesterday’s comments, in which he dubiously confessed to hating dialogue in movies, Denis Villeneuve seems to have fed some rare meat to his ravenous haters, and he has plenty of them.