It’s been 24 years since David Fincher premiered “Fight Club” at Venice. The film’s infamous midnight screening got a lot of people riled up. A loud chorus of boos could be heard once the film ended.

Ari Aster has directed three features — “Hereditary,” “Midsommar” and “Beau is Afraid”. Which is his best? I’m of the opinion that, although all three are worth a watch, the quality progressively lessened with each release.

We were all wondering where Sam Esmail’s “Leave the World Behind” would land. It has already been dated to stream via Netflix on December 8th.

Here’s the trailer for “Chicken Run: Dawn of the Nugget.” The film will have its world premiere at the 67th BFI London Film Festival, which runs from October 4 to October 15 this year.

This past Spring, I posted a few early reactions for Woody Allen’s “Coup de Chance”, with all of them saying it was “his best film in years.” It turned out to not be hyperbole.

Some unexpected but VERY welcome news coming from the Venice Film Festival. Richard Linklater’s “Hit Man” has just screened and the whole place went crazy for it.

I’m trying to figure out what Yorgos Lanthimos meant when he supposedly confirmed to Cineuropa that he’s already shot another film with Emma Stone.

Ryûsuke Hamaguchi shocked the cinema world with a new film of his appearing, out of nowhere, in the Venice Film Festival lineup. We had no idea he was even working on a new project.

Craig Mazin has become a big name on television as the creator of HBO’s “Chernobyl” and “The Last of Us.” His stock has risen to the point where he’s getting plenty of offers from Hollywood.

I’m sure you’ve already heard of David Fincher’s comments about how he can “understand both sides” of the dispute in the actors-studios strike.

Sofia Coppola’s “Priscilla” is being called her best film since “Lost in Translation.”

Snubbed were Miyazaki’s “The Boy and the Heron” and Kore-eda’s “Monster.” This is the first time that Japan has picked a film by a non-Japanese director.

Woody Allen just screened “Coup de Chance” at the Venice Film Festival. What I’ve heard is positive, but that doesn’t mean it’ll necessarily translate into good reviews stateside.

The film has a 75 on Metacritic, based on 11 reviews. It is not set to be screened again until October, that’s when it premieres at the BFI London Film Festival. It will be available to stream via Netflix on November 10th.

Questioned by Deadline about the atrocious response Polanski’s “The Palace” received yesterday from critics, Barbera admits that the film just isn’t good.

One of the great Maverick American filmmakers of the last 50 years, the late William Friedkin, will have his final film released on Showtime in the U.S. and Paramount+ in Europe. What a joke.

Bonello is a critically acclaimed French filmmaker who has had his films premiere at Cannes, Berlin and Venice. 

Here’s an underrated gem that screened at this past January’s Sundance Film Festival and is being released this coming Friday.

“The Equalizer 3” is eyeing a $42 million weekend opening. This is a record-high opening for the R-rated film franchise. It easily dethroned “Gran Turismo” from the top spot at the box-office.

Rotten Tomatoes is continuing on with its 25th anniversary polls. This time they’ve asked their readers, not critics, to vote for the Best Director of The Last 25 Years and the results are not that surprising.