Greta Gerwig was at CinemaCon with Ryan Gosling and Margot Robbie, they were there to promote ”Barbie,” which Gerwig said was “inspired by “The Wizard of Oz” and disco music.”

Yes, David Zaslav might be talking out of his tochus, but we might as well post about this before it screens in just about an hour from now.

Last night Viola Davis was feted via the Film at Lincoln Center’s 48th annual Chaplin Gala. Of course, somebody just had to address the elephant in the room, it was inevitably going to be mentioned.

Ridley Scott’s “Napoleon” is gunning for awards season. However, according to Screen Daily, Scott’s film is skipping the fall festivals.

Given the sequel’s $102 Million domestic gross, on a $60 million budget, might I add, it was a no-brainer decision for this third film to be greenlit.

In the mid-aughts, three filmmakers burst into the indie scene with horror films that felt uniquely original: Robert Eggers, Ari Aster and Jordan Peele.

Producers Joe and Anthony Russo spoke to Collider about the upcoming Netflix sequel, simply titled “Extraction 2,” and again starring Chris Hemsworth.

It’s not a good look that Robin Campillo’s “Red Island” has been given a French release date of May 31st. Have they just given up on showing it at festivals?

It’s time for my mid-year update on Terrence Malick’s “The Way of the Wind.” I’ve been doing this for, I don’t know, at least two years now.

A sprawlingly conceived new study is going around Hollywood and making some real noise.

Catherine Corsini’s “Le Retour” is finally in. The controversy surrounding the film was not enough for the Cannes selection committee to omit her presence.

Our friends at IONCINEMA have the scoop that Audrey Diwan’s “Emmanuelle” has cast “Happening” star Anamaria Vartolomeimight.

According to Kelvin Harrison Jr, Barry Jenkins’ prequel to the “The Lion King,” is close to being done:

I find it odd that “L.A. Confidential” author James Ellroy is using the excuse of director Curtis Hanson being dead to attack the film adaptation of his beloved novel.

Speaking to THR, as “The Old Oak” is set to be his 15th film premiering at the Cannes Film Festival, Loach, who turns 87 in June, confessed that “realistically, it would be hard to do a feature film again.

As someone who really liked Kelly Fremon Craig’s last film, “The Edge of Seventeen,” I can’t say I was particularly taken by “Are You There God? It's Me, Margaret.” It’s a very sweet movie, with good intentions, but not necessarily involving.

Remember that hilarious video that had David Lynch talking about how watching a film on your phone is not really, technically, like watching the film?

I’m not saying that Ari Aster’s originally intended 207 minute cut of “Beau is Afraid” might have been a better film, but it does confirm last year’s intel that the film was too long and A24 urged him to snip it.

Jim Jarmusch started in the industry when independent film was just about to boom. He was fairly lucky in that regard when it came to his low-do 1984 classic “Stranger Than Paradise.”