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‘Michael 2’ Targets 2026 Shoot, With Graham King Potentially Stepping In as Director
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First Look: Na Hong-jin’s ‘Hope’ Heads to Cannes with Cosmic Mystery
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Jeremy Strong to Star in Magnus von Horn’s ‘The Passenger’
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Lynne Ramsay Says Joaquin Phoenix Arctic Epic ‘Polaris’ Is Her Next Film and Calls It Her ‘2001’
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Bond 26 Script “Nowhere Near Ready” as Amazon/MGM’s Plans Remain Unclear
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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Ari Aster’s ‘Disappointment Blvd’ Clocking in at 3 and a Half Hours, A24 Wants Shorter Version

May 24, 2022 Jordan Ruimy

Why was Ari Aster’s “Disappointment Blvd” not at Cannes? Well, I’ll tell you why. An American producer here at Cannes just told me that his movie is ridiculously long (210 minutes) and he doesn’t want to cut.

This is like Andrew Dominik, Netflix and “Blonde” all over again. Except, what does A24 seriously have to lose here?

Of course, I understand A24’s positioning in not wanting to release a three and a half hour long movie. However, they should just say fuck it, do it! It’ll be a movie event that’ll be buzzed about within the film dweeb community. We need Ari’s full, unabated, untouched vision to unfurl on-screen.

I don’t know if this is going to Venice. I just don’t. The movie is “not ready,” and A24 has a wobbly relationship with the Venice Film Festival, but I’m now looking forward to the director’s cut — After what he’s shown us, Aster deserves creative freedom.

← David Cronenberg’s ‘Crimes of the Future’ is Meditative, Horrific and Visionary [Cannes]‘Tori et Lokita’: Idiot Critic Throws Tantrum Over Solid Dardennes Movie [Cannes] →

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