The latest trend these past 24 hours has been to rank the last ten Best Picture winners. A fairly easy breezy task when you take into account how there were only a handful of great films that have won the big prize in recent years.

Thierry Fremaux will have such a headache this year when deciding which French films to select in competition, to the point where he might even pick as many as five.

Netflix is shutting down its Nancy Meyers movie because the writer-director wanted superhero movie money to make her romcom.

Quentin Tarantino’s 10th, and presumably, final film will be called “The Movie Critic.” That is the name of the script that Tarantino wrote and is set to direct this fall, according to THR’s sources.

We don’t know much about Martin Scorsese’s “Killers of the Flower Moon,” except that it’s, maybe, 3 hours and 20 minutes and could premiere at Cannes in May.

First things first, Chad Stahelski’s “John Wick: Chapter 4” is too damn long. It’s akin to the first three films on steroids. There is no reason for it to be nearly 3 hours, especially since the plot is pretty thin and the characters underdeveloped.

Richard Linklater is up there with the best filmmakers of his era. His filmography is as original and diverse as they come: “Dazed and Confused,” “Waking Life,” “The School of Rock,” “Boyhood” and the ‘Before’ trilogy, among many more.

The Ben Affleck-directed Nike film “Air,” from Amazon Studios, has been selected to close out theSXSW Film Festival on Saturday.

We were all wondering whyCruise didn’t attend the Oscars, he was a big part of last year’s theatrical revival with the success of “Top Gun: Maverick,” and audiences would have loved to have seen him in attendance.

There’s already confusion over next year’s Oscar eligibility rules. It doesn’t even have to do with the theatrical/streaming debate, but, rather, if the film is inclusive enough.

I’ll be able to know just how overpraised (or underpraised) “John Wick: Chapter 4” is, there’s a scheduled press screening here in just over an hour.

Another year, another Spielberg loss. It seems to be its own annual Oscar tradition these days.

Mira Sorvino is justifiably angry and calling out the Academy for not including her late father Paul Sorvino during the In Memoriam tribute.

Last October, Andrew Haigh completed production on his next film, this one is titled “Strangers.”

Last year, around 16.6 million Americans watched the Academy Awards ceremony. Oscar viewership tends to fluctuate year by year, however the last time the ceremony drew in a U.S. audience of more than 40 million was in 2014.

Paul Schrader has weighed in, albeit cryptically, about last night’s Oscar ceremony.

It was a weak year for Oscar movies, so “Everything Everywhere All At Once” winning Best Picture might not be such a surprise. It was inevitable after its PGA, DGA and SAG triumphs that it would be showered with Oscar gold.

Back in 2012, Fox had bought Dan Ewen’s spec script “Dear Satan,” with The Farrelly Brothers set to direct. Then the project went dark. So did The Farrelly Brothers.

Right before winning her Adapted Screenplay Oscar for “Women Talking,” filmmaker Sarah Polley stated on the red carpet that her next movie would be about … awards season?

The Oscar champagne crowd is losing it over Hugh Grant’s deadpan interview at last night’s Oscar red carpet. It was most definitely an awkward 50-second chat, full of cringe.