“Dredd” Getting 4K HDR Blu-Ray Release, As A Petition Demanding A Sequel Hits The Net Amid Reports That Fox Doesn't Want One

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This is nice. You can see the full release details of Fox's upcoming release of "Dredd" on 4K HDR Blu-Ray HERE. Know what else would be nice? A "Dredd" sequel. Pretty please? I remember going into "Dredd" with very low expectations. After all, this was a reboot of "Judge Dredd," a terrible 90s action movie starring -yikes- Sylvester Stallone. What we got instead with 2012's "Dredd" was a genuinely visionary film.

Director Pete Travis made something quite beautiful out of the savagery he depicted onscreen. Paul Leonard's exalting techno soundtrack also gave the film an avant-garde edginess that fit perfectly with the film's atmosphere. The 3D was also second to none. Travis, using color and the best use of slo-mo I could recall in ages, made a film that was wholly auteur-ed and singular in its vision. Lest us not forget that the screenplay was written by Alex Garland, a man who burst to the directorial scene last year with his brilliant "Ex-Machina." His lean, mean scenario had none of the superfluous tropes that would hamper down most of the action movies we see today. I can't fail to mention Karl Urban ("Star Trek Beyond) who played a great, nasty hero as the titular character himself. 

Despite critics missing the boat by giving it mixed reviews and it completely fizzling at the Box-office, "Dredd" has become a cult classic over time with a solid, loyal fan-base that has basically become a monster in itself. You can thank home video for that and streaming services as well. I can understand the fascination with the film. It is such a re-watchable film. Hell, I remember being sent a copy of the DVD by the studio and seeing it around 5 or 6 times in a span of a few months, which is a LOT for me, I rarely re-visit a film that soon. Why and how has this cult fanbase happened? Because "Dredd" is not just an artful piece of work, but it's also just a damn entertaining film. 

Urban has mentioned countless times that he is very interested in making a sequel. This all leads me to the rather disappointing news that Fox seems to have turned down the script for a potential second chapter. Its co-creator John Wagner spoke to ScreenGeek last year about recently pitching Garland's screenplay, "Judge Death," to FOX:

“That was actually the first script that Alex Garland did was a Judge Death script but Fox, who they were dealing with at the time, turned it down. They wanted more nuts and bolts before they went into the [metaphysical].”

For the time being there are fan petitions for a sequel a little bit everywhere on the web, most notably "Bring Back Dredd," which has gathered 152,000 signatures thus far. You can sign up right HERE .

Weekend Box Office: "The Boss Baby" Takes the Top Spot from "Beauty and the Beast" With An Impressive $49 Million and "Ghost in the Shell" Flops With Only $19 Million

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It was a tight race at the box-office, but "The Boss Baby" pulled through in what was a nail-biter against "Beauty and the Beast" (which now has an accumulated gross of $397 million). "The Boss Baby," an Alec Baldwin starring animated movie, once again shows the power that animation has at the American box-office. Despite average to negative reviews, the film has become a major player for DreamWorks animation. I thought "Beauty and the Beast" would possibly make it 4 straight weeks at the top of the box-office, but, alas, this once again shows animation's dominance in American theaters. As for "Ghost in the Shell," they didn't screen it here in Boston for the press, which means I didn't get a chance to see it, but we can safely say that it finishing third at $19 million is a disappointment, given its reported budget of close to $110 million.

1- The Boss Baby $49,000,000
2- Beauty and the Beast $47,543,000
3- Ghost in the Shell $19,000,000
4- Power Rangers $14,500,500
5- Kong: Skull Island $8,800,000

It also looks like "Beauty and the Beast" could crack the all-time top ten domestic grossing films. Look at the list below, 4 of the 10 films are "Star Wars," I'm thinking it'll be 6 of the 10 by the time Episode 9 hits theaters in 2019.



































[Box Office Mojo]

Vince Gilligan on the third season of "Better Call Saul": "Things get more ‘Breaking Bad’-like"



Breaking Bad was quite possibly the greatest TV drama of all time, right up there with The Sopranos and The Wire, at least. So then, it was with great restraint that I started watching its spin-off Better Call Saul. Any doubt I had was quickly eviscerated by the first episode. This is a really good show, even maybe a great one. You can't make comparisons to Breaking Bad though; it'd be like comparing The Godfather to Goodfellas. On its own, Better Call Saul is a significant achievement because of its focus on character and the subtle dilemmas that invade these well thought-out characters' lives. If the other show was showy and epic, this one is restrained and minimalist. It has nothing to do with Breaking Bad, which is another reason why it's so damn good.

Of course Bob Odenkirk owns this show, but if there is a true undervalued MVP in the cast it's Rhea Seehorn as Kim Wexler. Her film credits are reduced to mostly TV movies, but something tells me we'll be seeing her on the big screen soon. She is phenomenal as Wexler, who is really the heart and soul of the whole show. She encompasses the most pronounced example of a strong female lead on TV and does it with such bravado. The whole show is supposed to be about the boys club, but she reduces their impact and makes you cheer harder for the lone female warrior. There's a great Salon interview with Rhea, which you can find HERE.

Co-creator Peter Gould spoke to Variety about the third season and Gus Fring: “Gus Fring brings a whole world with him,” said Gould. “He makes the story much bigger in a certain way. It’s been fascinating to see Giancarlo (Esposito) recreate Gus. It’s very subtle and what Giancarlo does is brilliant — he’s not exactly who he was on ‘Breaking Bad.’ Close but not exactly.”

Vince Gilligan also had this to say in the same article: “Things get quite a bit darker in season three, more ‘Breaking Bad’-like. We didn’t set out for that to happen, it came to us organically.”

What's Coming to Netflix in July

July 1st

  • Albion: The Enchanted Stallion (2016)
  • Are We Done Yet?
  • Best in Show (2000)
  • Boat Trip (2001)
  • Capo “El amo del tunel” (Season 1)
  • Caramel (2007)
  • Code Name: The Cleaner (2007)
  • Dad (1989)
  • Deep Water (Season 1)
  • Delicatessen (1991)
  • Disney’s The Mighty Ducks (1992)
  • E.T. the Extra-Terrestrial (1982)
  • El Barco (Season 1)
  • Emma (1996)
  • Free Willy (1993)
  • Here Alone (2016)
  • Hostages (Israel) (Season 2)
  • Jackass: Number Two (2006)
  • Last Night (2010)
  • Liar’s Dice (2013)
  • Madagascar: Escape 2 Africa (2008)
  • Matchstick Men (2003)
  • Mixed Signals (1997)
  • Offspring (Season 6)
  • Out of Thin Air (2017)
  • Police Academy (1984)
  • Proof of Life (2000)
  • Punch-Drunk Love (2002)
  • Spawn: The Movie (1997)
  • Spice Up (Season 1)
  • Taking Lives (2004)
  • The Astronaut Farmer (2006)
  • The Boy in the Striped Pajamas (2008)
  • The Invisible Guest (Contratiempo) (2016)
  • The Land Before Time (1988)
  • The Land Before Time II: The Great Valley Adventure (1994)
  • The Land Before Time III: The Time of the Great Giving (1995)
  • The Longest Yard (2005)
  • The Originals (Season 4)
  • The Truth Is in the Stars (2017)
  • The Ultimatum (Season 1)
  • Titanic (1997)
  • Unriddle (TV Series)
  • Unriddle II (TV Series)
  • Witnesses (Season 2)
  • World at Your Feet (Season 1)
  • Yes We Can! (Season 1)
  • Yours Fatefully (Season 1)
  • Zip & Zap and the Marble Gang (2013)

July 2nd

  • El Chema (Season 1)

July 3rd

  • Diamond Cartel (2017)
  • Extraordinary: The Stan Romanek Story (2013)

July 4th

  • The Standups (Season 1) 
  • iZombie (Season 3) 

July 6th

  • Butter (2011)
  • Speech & Debate (2017)
  • The Void (2016)

July 7th

  • 1 Mile to You (Life At These Speeds)
  • Castlevania (Season 1) 
  • Dawn of the Croods (Season 4) 
  • Degrassi: Next Class (Season 4) 
  • Luna Petunia (Season 2)

July 8th

  • Bad Santa 2 (2016)
  • Horse Dancer (2017)

July 9th

  • Lion (2016)

July 11th

  • Gabriel Iglesias Presents The Gentleman Jerry Rocha

July 14th

  • Buddy Thunderstruck: The Maybe Pile (2017) 
  • Chasing Coral (2017)
  • Friends From College (Season 1) 
  • To the Bone (2017)

July 15th

  • Rake (Season 4)
  • West Coast Customs (Season 4)

July 17th

  • A Cowgirl’s Story (2017)
  • Fittest on Earth: A Decade of Fitness (2017)
  • Uncertain Glory (1944)

July 18th

  • Aditi Mittal: Things They Wouldn’t Let Me Say 
  • Ari Shaffir: Double Negative: Collection 
  • Girlfriends’ Guide to Divorce (Season 3)
  • Rogue One: A Star Wars Story (2016)

July 20th

  • Pretty Little Liars (Season 7B)

July 21st

  • Last Chance U (Season 2) 
  • Ozark (Season 1) 
  • The Worst Witch (Season 1) 

July 22nd

  • Railroad Tigers (2016)

July 24th

  • Victor (2015)

July 25th

  • Joe Mande’s Award-Winning Comedy Special 
  • Munroe Island (2015)

July 28th

  • Daughters of Destiny (Season 1) 
  • The Adventures of Puss in Boots (Season 5) 
  • The Incredible Jessica James (2017) 

July 31st

  • After The Reality (2016)
  • Being Mary Jane: The Series (Season 4)
  • Checkpoint (2017)
  • Dark Night (2016)
  • Taking Earth (2017)

If you even cared: Sylvester Stallone exits "The Expendables" franchise over creative spat

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Deadline has more or less confirmed that Sylvester Stallone is out as far as "The Expendables" franchise goes. The article states that Nu Image/Millennium chief Avi Lerner had major disagreements over the film’s script, director, and “certain qualitative elements of the film” including, yes, which VFX house they were going to use for the special effects. 

I'm not going to lie, I hate the "Expendables"franchise. I hated the initial 2010 film, walked out of the second film and walked out of the third film. This fourth film, which is at the center of this dispute between Lerner and Stallone, was going to give Stallone a payday of $20 million. After the third film Stallone admitted to regrets in regards to the film being rated PG-13 instead R. This might be one of the major arguments that have pulled Stallone and Lerner apart.

"It" trailer shatters YouTube record, was viewed 197 million times in 24 hours



Looks like "It," based on Stephen King's ultra popular novel, will be a box-office hit, that is if you judge these sort of things by You Tube popularity. The upcoming horror reboot nabbed almost 200 million views (197 million to be precise) in its first 24 hour. That is insane. What's even more astounding is that the it beat the previous record holder, "The Fate of the Furious," by almost 60 million views.

Andrés Muschietti directs the reboot, he did a pretty good job with tepid material in 2013's "Mama." That's the only other film he's directed, the top-notch photography of "Mama" doesn't seem to be a fluke as it's back here again. It looks beautifully realized from top to bottom. Maybe the fact that the trailer is actually scary has been part of its "charm." I rarely get spooked by a two minute preview, but "It" did the job and did it well. If you haven't seen this ever popular trailer, here it is.

The R rated “It” stars Bill Skarsgård, Jaeden Lieberher, Jeremy Ray Taylor, Sophia Lillis, Finn Wolfhard, Wyatt Oleff, Chosen Jacobs, Jack Dylan Grazer, Nicholas Hamilton, Jackson Robert Scott and opens nationwide on September 8th. [Deadline]

Trailer for Eleanor Coppola's playful and enjoyable summer gem "Paris Can Wait"




Here's what I had to say about this film back in Spetember of last year when I saw it at the Toronto Film Festival:

"Eleanor Coppola, Francis Ford’s wife, isn’t well-known as a director. However, her documentary “Hearts of Darkness: A Filmmaker’s Apocalypse” about the tumultuous and depressing shoot of her husband’s “Apocalypse Now” stands as a great, important time capsule in film history. She has never really delved into narrative  fiction until now. With “Paris Can Wait,” another underseen Telluride gem, she has made one of the most enjoyably sexy road movies in quite some time. Casting Diane Lane as Anna, an unsatisfied wife whose Hollywood producer husband (Alec Baldwin) is always away on the road, was a stroke of genius. This spiked bonbon of a film has Lane playing Anne, left alone again by her husband this time at the Cannes Film Festival, which leads to her being playfully lured to go on a two-day road trip through the south of France with her Hubby’s business partner Jacques (Arnaud Viard). Jacques delights in showing her a good time, but also doesn’t shy away from telling her how beautiful she is. Their cat and mouse game makes for an intriguing romcom filled with substance."

“Paris Can Wait” opens on May 12th.

I guess I might as well give my thoughts on "Song to Song"



Your liking of "Song to Song" will depend on whether you like Malick's other two films, which basically form this trilogy, "To The Wonder" and "Knight of Cups." It's the same idea, same style, same kind of love triangles, same "wonderment" at nature, same self-congratulatory sense of itself. I personally hated those films. I thought they were total Malick jerk-off sessions or, as my buddy told me after the screening, another film in Malick's "Texas nouveau-riche" trilogy. Also, for me, the biggest problem with these films is the fact that he's cast a who's who of Hollywood A-listers, which really becomes problematic and inauthentic for what he's trying to achieve. That's why I'm very much looking forward to his next film, "Radegund," which has already wrapped-up shooting and is supposed to be all in German with English subtitles, German actors and set in WWII. A departure from his the "Texas nouveau-riche" trilogy and Hollywood actors.

Thelma Schoonmaker says Scorsese Wants to Continue Making Spiritual Movies. Also, Has Joe Pesci Finally Been Cast in Scorsese's "The Irishman"? Schoonmaker seems to think so.












Martin Scorsese's "Silence" earned $7 million worldwide. Yeah, a scant amount for the venerable director of such classics as "Goodfellas," "Raging Bull," "Taxi Driver," "Mean Streets" and "The King of Comedy."

If you think the tepid reception has made Scorsese rethink his whole cinematic agenda, then you better think again. Scorsese's longtime editor extraordinaire Thelma Schoonmaker has revealed that Scorsese very much wants to continue tackling religious-based films in the future.

“…he wants to make more films like this, that are spiritual, basically, but not set in 17th century Japan [laugh]. In the modern time. So hopefully we’ll be able to make that. Not the next one, the next one is ‘The Irishman,’ which is De Niro and Joe Pesci and elderly gangsters. So that’ll be very different from ‘Silence.’ But maybe the one after that!” she told Crave.
Wait, did she just say Joe Pesci? De Niro has been saying that he's been insistent in getting the retired Pesci to star in "The Irishman," calling him relentlessly to join the cast, but that actor hasn't budged yet, so has he finally joined the project? Crave doesn't ask her, but one can assume Pesci will be part of the project.
As for "Silence" and the mixed reviews it got, Schoonmaker has this interesting quote:
“…it’s daring and it’s difficult to make a movie like this because maybe people don’t understand, and don’t go see it because of that. They worry. ‘Oh dear, what is this? Am I going to be lectured?’ They don’t understand that [‘Silence’] is not like that. It was a real serious challenge. I wish it had done better. I think the movie will last and be very important to people. Which is all one can ask. So many fantastic movies, so many fantastic reactions from people. But if you’re going out with your family on Saturday night, you’re not going to go to this movie [laugh],” she said.
“The reviews were… I’ve never read reviews like this. They’re just ecstatic sometimes, which is fantastic. All kinds of people, which is all you can hope for with this,” Schoonmaker added.

Rumor: Disney's Post-Episode 9 Plans Revealed and includes Obi-Wan movie, Boba Fett movie, YA movie, TV series and hiatus from the trilogy




A colleague has hinted about Star Wars News Net having a major scoop as to what the future lies after Episode 9. I mean, that's the big question right? We all want to know what is going to happen after these three blockbuster films. Disney won't just sit on the goldmine that is the rights to this franchise. We all know there's a Han Solo movie coming up, but what else is on the horizon?

Here are the 7 juiciest details we uncovered from this messy, but informative article:

Obi-Wan Kenobi film very much in the works and Gareth Edwards might direct it

"Kathleen Kennedy and the rest of Lucasfilm fully intend to make an Obi-Wan movie set between Revenge of the Sith and A New Hope, with Ewan McGregor in tow.Rogue One’s Gareth Edwards could be returning to the director’s chair, as Kathleen Kennedy was happy with his work on that film.An announcement of an Obi-Wan movie might just be one of the big surprises at Celebration Orlando."

Boba Fett will get his own movie

"Rest assured, the Boba Fett movie is not dead.As far as I can tell, the movie will most likely not be an origin story.It sounds as though Fett is just one important component to the movie as opposed to the central character."

"Han Solo" movie is going to be a big deal for Disney. Will have comic book/pulp feel.

"We’re going to get information about Han Solo a lot earlier than we have for any other recently-produced Star Wars movie.The movie is said to have something of a comic book/pulp feel as well. "

A hiatus/"starving of the market" will happen after "Episode 9" to not have a "sense of fatigue"

"There seems to be a plan for a hiatus on Star Wars movies – a plan that will happen after a few years after the end of the Sequel Trilogy. Lucasfilm will want to deliberately starve the market of Star Wars movies for a time. Since Star Wars is a generational thing, there will be a gap between the Sequel Trilogy’s end and the new trilogy’s arrival. The powers that be are interested in making sure that there’s not a sense of fatigue."

Star Wars will be on TV

 "Star Wars on television is going to become a big focus over the next few years."

The eventual new trilogy will be about existing story arcs

"The new series might be more in-tune with the existing story arcs of the Star Wars saga instead of “filling in gaps” like The Clone Wars and Rebels have."

Disney also wants to hit YA market with a "Star Wars" romance movie:

"This Star Wars project is going to target the young-adult audience and have slight romantic themes to it.Said story is a tragedy…the “love story” angle has more in common with Han & Leia’s romance in The Empire Strikes Back than anything else."

David Michod's "War Machine" [Trailer]




The cast includes: Emory Cohen, RJ Cyler, Topher Grace, Anthony Michael Hall, Anthony Hayes, John Magaro, Scoot McNairy, Will Poulter, Alan Ruck, Lakeith Stanfield, Josh Stewart, Meg Tilly, Tilda Swinton and Sir Ben Kingsley.
Based on a True Story, here’s the official synopsis:
"In a film for our times, writer-director David Michôd (Animal Kingdom) recreates a U.S. General’s roller-coaster rise and fall as part reality, part savage parody — raising the specter of just where the line between them lies today. His is an anti-establishment, pro-soldier exploration in the form of an absurdist war story of a born leader’s ultra-confident march right into the dark heart of folly. At the story’s core is Brad Pitt’s sly take on a successful, charismatic four-star general who leapt in like a rock star to command NATO forces in Afghanistan, only to be taken down by his own hubris and a journalist’s no-holds-barred expose. War Machine addresses the debt we owe to soldiers to question the purposes to which they are being directed."
“War Machine” is released on Netflix, May 26th. Maybe a Cannes bow before that?

Paul Thomas Anderson/Daniel Day-Lewis Untitled Film Set for Christmas Release Date

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At CinemaCon yesterday, Focus Features  continued their secrecy regarding Paul Thomas Anderson's new film, there was no footage shown whatsoever, but a release date was confirmed: Christmas Day. We sure hope this gets shown at TIFF, but chances are slim due to production being a little too tight to coincide with the September festival.
Here's the synopsis according to my colleagues over at The Playlist:
"The untitled film is set in the couture world of 1950s London. The story illuminates the life behind the curtain of an uncompromising dressmaker commissioned by royalty and high society."
The film also stars Lesley Manville and Vicky Krieps.


Joss Whedon Will Direct, Write and Produce DC's Upcoming "Batgirl"

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According to Variety it seems like Joss Whedon is going to get his wish of directing a film set in the Bat-verse. Reports indicate that he is set to direct DC's "Batgirl." He will write, direct and produce the project. I don't get it, they couldn't get him to direct "The Batman" instead? That would have been his ultimate dream job, but he'll have to settle with "Batgirl" which, nevertheless, seems like an interesting venture.
If you are unfamiliar with Whedon, although why would you be, he's the creative mind that penned "Buffy," "Serenity," "Toy Story," "The Cabin in the Woods" and "The Avengers." 
"Batgirl is flying solo. The superheroine is getting her own standalone movie from filmmaker Joss Whedon. Whedon is nearing a deal to write, direct, and produce an untitled Batgirl pic for Warner Bros. as part of its DC Extended Universe. No other producers are currently attached. Toby Emmerich, president and chief content officer of Warner Bros. Pictures Group, is overseeing with Jon Berg and Geoff Johns. The new project originated in the past month. Whedon would be making a big move from the Marvel Cinematic Universe to its DC counterpart, having written and directed “The Avengers” and “Avengers: Age of Ultron” for Disney-Marvel. He also created the television series “Buffy the Vampire Slayer,” “Angel,” “Firefly,” “Dollhouse,” and “Agents of S.H.I.E.L.D.”

"Justice League" Runtime Will Be Longer Than "Batman Vs Superman," Clocking In At Almost 3 Hours




IMDB has revealed the running time for Warner Bros' upcoming "Justice League." Surprise! For any complaints some folks might have had about last year's "Batman vs Superman" being too long, well Zack Snyder has decided to ignore those haters. "Justice League" is listed as having a running time of 2 hours and 50 minutes. That's right 170 minutes. The theatrical release of BvS was 151 minutes, which then led to a much lengthier "director's cut" on DVD. Maybe this time around Warner Bros. wanted to just let Snyder have the definite cut due, in part, to the mostly positive reaction BvS's director's cut go upon release. 






The cast for "Justice League" goes like this: Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Jason Momoa as Aquaman, Ezra Miller as The Flash, Ray Fisher as Cyborg, Amy Adams as Lois Lane, Willem Dafoe as Nuidis Vulko, Jesse Eisenberg as Lex Luthor, Jeremy Irons as Alfred Pennyworth, Diane Lane as Martha Kent, Connie Nielsen as Queen Hippolyta, and J.K. Simmons as Commissioner Gordon. 

Obviously this running time might not stay put, we're still 8 months away from the film's release date, but it seems to be the length that Snyder probably wants. Test screenings might change that or might now. Who knows. 

"Justice League" comes out on November 17.

Could Luc Besson's comeback vehicle be "Valerian and the City of a Thousand Planets"?






This looks visually stunning, but what else do you expect from Luc Besson?

Besson directed "Nikita," "Leon," and "The Fifth Element" back to back to back between 1990-1997. Fine. Those three films alone have allowed him to have enough creative freedom to direct whatever he wanted after those. Problem is the ensuing films weren't very good ("The Messenger: The Story of Joan of Arc," "Angel-A," "Arthur and the Invisibles," "The Family). He made somewhat of a comeback in 2014 with the underrated "Lucy," so I am cautiously optimistic this new film "Valerian" might turn out OK, but not holding my breath.

This does have an impressive cast: Dane DeHaan, Cara Delevingne, Rihanna, Clive Owen, Ethan Hawke.

“Valerian And The City Of A Thousand Planets” opens on July 21st.