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Josh Safdie Seemingly Removed From Tomorrow’s ‘Marty Supreme’ Q&A
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O’Dessa A’zion Drops Out of Sean Durkin’s ‘Deep Cuts’ After “Whitewashing” Backlash
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Paul Dano Finally Breaks Silence After Tarantino Called Him the “Limpest Dick in Town”
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Surprise! Jeff Cronenweth and Dante Spinotti Are DPs on ‘Melania’
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Guillermo del Toro Confirms Extended Cut of ‘Frankenstein’ in the Works
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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Script For Martin Scorsese's ‘Killers of the Flower Moon' Was Severely Revised

May 29, 2020 Jordan Ruimy

A lot has been happening behind-the-scenes on the upcoming Martin Scorsese-directed film “Killers of the Flower Moon.” The film, starring Robert DeNiro and Leonardo DiCaprio, has had its budget balloon to close to $225 million in the past few months, with Paramount having to sell off distribution and creative rights to Apple. However, we haven’t had much info in terms of the ins-and-outs as to why such a startling set of events even occurred, until now.

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Tags killers of the flower moon, Martin Scorsese, Leonardo DiCaprio, robert de niro
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Netflix and Apple Interested in Buying Martin Scorsese’s ‘Killers of the Flower Moon’ From Paramount, Budget Nearing $225 Million

April 10, 2020 Jordan Ruimy

Back in February, we seemed to be the only outlet reporting that, after their successful partnership on “The Irishman” streaming giant Netflix and Martin Scorsese were again trying to team up for “Killers of the Flower Moon,” albeit, this time, in much messier circumstances.

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Tags Martin Scorsese, Netflix, Killers of the Flower Moon, Leonardo DiCaprio, robert de niro
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‘The Irishman' is Martin Scorsese's Eulogy to Gangster Cinema [Review]

October 30, 2019 Jordan Ruimy

Martin Scorsese’s “The Irishman” starts off with a tracking shot down a hallway, much like the Copacabana take in “Goodfellas,” except this one ends with a close-up of a geriatric and wheelchair-bound Robert De Niro. It’s no coincidence that Scorsese decided to open his movie with this shot as if to tell us this is the end of the road for the goombahs he has so legendarily depicted in classics such as “Mean Streets,” “Goodfellas” and “Casino.” It’s a potent wakeup call for the viewer that this will not be your usual Scorsese-directed mob movie.

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In REVIEWS Tags Martin Scorsese, the irishman, robert de niro, al pacino, joe pesci

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
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