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‘Ink’: Danny Boyle Confirms AI Was Used to Generate Margaret Thatcher, The Kray Brothers and Mice

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

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John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

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‘Primetime’: Robert Pattinson Delivers in Entertaining, Visually Striking, Surface-Level Movie — Reviews Are Good, Not Great

“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.

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Venice Has One Female Director in Comp. Maggie Gyllenhaal Says “Systemic Problem”; Former Amazon Exec: “Maybe ‘The Bride’ Just Wasn’t That Good”

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

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Andrew Scott Surges Into the Best Actor Oscar Race for ‘Elsinore’ After Telluride Premiere

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Netflix and Apple Interested in Buying Martin Scorsese’s ‘Killers of the Flower Moon’ From Paramount, Budget Nearing $225 Million

April 10, 2020 Jordan Ruimy

Back in February, we seemed to be the only outlet reporting that, after their successful partnership on “The Irishman” streaming giant Netflix and Martin Scorsese were again trying to team up for “Killers of the Flower Moon,” albeit, this time, in much messier circumstances.

Supposedly, the budget for the upcoming Scorsese-directed Paramount-distributed film had inflated to a worrisome $225M that it started to get Paramount a little too anxious about the commercial prospects of the film, which led Scorsese to call Netflix to settle a rights and distribution deal for ‘Killers.’

The Wall Street Journal has now officially confirmed what we suspected in late February [via a report] that, indeed, Scorsese’s representatives are trying to get either Netflix or, even,  AppleTV+ to produce and/or distribute the star-studded crime-thriller. The WSJ adds that Scorsese also reached out to Universal and MGM.

Scorsese’s last movie (“The Irishman”) was a Netflix original with an equally expensive $173 million budget. However, ‘Killers’ is said to cost $50 million more than that figure and has gotten Paramount very antsy about the whole thing. Has Scorsese been so spoiled by the creative and budgetary freedoms given to him by Netflix on “The Irishman” that he’d rather bypass all the back-and-forth artistic clashing involved with a big studio by, again, being given total creative carte blanche by Netflix? That’s what it looks like.

It seems as though Scorsese has learned to stop worrying about theatrical and love streaming.

The 77-year-old director of such classics as “Goodfellas,” “Raging Bull,” and “Taxi Driver” was set to shoot “Killers of the Flower Moon” in March (via Premiere), but production was postponed due to the COVID-19 pandemic. The film, his adaptation of David Grann's grisly murder-mystery novel, is set to star Leonardo DiCaprio and Robert De Niro. The screenplay, written by Eric Roth, takes place in 1920s Oklahoma and tells the story of a corrupt FBI investigation on Osage Indians who suddenly start to get murdered.

There is currently no release date for “Killers of the Flower Moon,” but one assumes the possibility of a fall 2021 release primed and ready for Oscar season.

Tags Martin Scorsese, Netflix, Killers of the Flower Moon, Leonardo DiCaprio, robert de niro
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Good/Great Movies That Don't Deserve Their “Rotten" Scores

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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