Yorgos Lanthimos turned more than a few heads with his 2010 film, the bewildering "Dogtooth." The film, which was about a locked up family living by their own set of language, math and rules, announced the arrival of a new cinematic talent, albeit one that would no doubt be divisively met by critics and audiences alike. Lanthimos felt like a sort of heir to Bunuel's own provocative brand of cinema, which the late great master perfected in the '60s and '70s with "Viridiana," 'The Exterminating Angel," "The Discreet Charm of the Bourgeoisie" and "The Obscure Object of Desire."