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‘The Black Ball’ Sparks Bidding War at Cannes, With A24, Netflix and Mubi
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Doug Liman’s ‘Bitcoin’ Will Have AI-Enhanced Versions of Zuckerberg, Putin, Kim Jong Un and Eric Trump
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Netflix Acquires Romain Gavras’ ‘Sacrifice’ Starring Chris Evans and Anya Taylor-Joy, Nine Months After Panned TIFF Premiere
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Johnny Depp’s ‘Day Drinker’ Sets March 2027 Release Date
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‘The Mandalorian’ With Soft $11-12M in Thursday Previews — Lower Than ‘Solo,’ Delivering Another Warning Sign for Star Wars
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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

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Leos Carax's Upcoming Musical ‘Annette' is 95% Singing Dialogue

April 25, 2020 Jordan Ruimy

Filmmaker Leos Carax’s last release was 2012’s “Holy Motors.” That Cannes-premiered movie ended up not only getting critically-acclaimed, but also appeared in a slew of best-of-the-decade lists, even finishing 20th on our 2010’s critics poll of the best movies of the last decade.

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Tags Annette, Adam Driver, Marion Cotillard
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Interview: Jean-Pierre and Luc Dardenne talk about Two Days, One Night

December 28, 2014 Jordan Ruimy
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"Two Days, One Night" might be the best Dardennes movie yet. Marion Cotillard is mesmerizing in her role as Sandra, a young Belgian mother who discovers her co-workers were pressured to choose between getting a significant pay bonus and having her keep her job. The way Cotillard approaches each and every co-worker, pleading — sometimes even begging — for them to change their vote is heartbreaking. It’s a movie that once again places the talented directing duo on the short list of the very best filmmakers in the world today. I met up with them a few months back to discuss the process, Cotillard and the small details that make a Jean-Pierre and Luc Dardenne film so damn great.

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In INTERVIEWS Tags Two Days One Night, Marion Cotillard, Dardenne Brothers
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