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David Fincher’s ‘Cliff Booth’ Reshoots Set for August — Jeff Cronenweth to Replace Erik Messerschmidt as DP [Updated]

The film had actually wrapped its six-month production in January 2026, and it’s been in post-production for the last eight months. Fincher is well known for taking his time in the editing room.

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‘Michael’ Sequel Targets Late 2027/Early 2028 Release

Lionsgate CEO Adam Fogelson has given an update on the “Michael” sequel, the studio’s blockbuster Michael Jackson biopic, which hit $1 billion at the box office this year.

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Sam Neill’s Final Role Will Be in ‘The Legend of Zelda’

Sam Neill had filmed four projects back-to-back over the past year, all of which would be released in the coming months, including “The Legend of Zelda.”

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Gareth Edwards Exits ‘Jurassic World’ Sequel Due to “Creative Differences”

Universal and Amblin are moving forward with the next ‘Jurassic World’ movie, but Gareth Edwards is not expected to return as director following “creative differences.”

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Emmanuel Lubezki Set as DP on Ben Stiller’s WWII Thriller ‘Airman,’ Starring Jeremy Allen White, A24-Backed

Lubezki’s participation in the film doesn’t seem so far-fetched when you realize that he was also the DP on Stiller’s “Reality Bites,” way back in 1994. They haven’t worked together since.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Polanski’s ‘The Palace’ Being Considered For Cannes or Venice

February 2, 2023 Jordan Ruimy

Elsa Kesslassy’s recent piece titled “Is Roman Polanski’s New Film ‘The Palace’ Going to Cannes or Venice?,” for Variety, has a few neat tidbits buried in the lede.

As I had mentioned last month, Polanski’s “The Palace” currently has an April 6th release date in Italy. If the film keeps this date then a Cannes world premiere would be very unlikely.

Keslassy has learned that “The Palace” is being considered by both the Cannes and Venice selection committees. If chosen by either of these festivals, then the April release date would be moved, presumably to the fall.

But RAI Cinema chief Paolo Del Brocco told Variety that the Italian release date is not cast in stone.” He also didn’t rule out a Cannes premiere for the film. So, they are clearly aiming for a festival run.

Polanski, who is now 89 years old, has had his last five films premiering at festivals. Cannes (“Based on a True Story,” “Venus in Fur”); Venice (“An Officer and a Spy,” “Carnage”); and Berlin (“The Ghost Writer”). The problem for him, and this latest film, is that things have radically changed since then.

Cannes boss Thierry Fremaux already has the headache of including Woody Allen’s 50th movie, which is set in Paris and was shot in French. I don’t think he can say no to that one. It’s much “easier” saying no to Polanski given that the filmmaker’s reputation in France isn’t as positive as Allen’s these days. The Polish filmmaker is embroiled in a couple of sexual abuse allegations that have made him a marked man in that country.

Venice, on the other hand, would make more sense since Polanski premiered his last film there, 2019’s “An Officer and a Spy” and even won the Grand Jury Prize. It would be a much better fit than going to Cannes, where some press and audiences would surely be awaiting Polanski with sharpened knives.

“The Palace” cost $17 million to make and stars John Cleese, Mickey Rourke and Fanny Ardant. The movie is said to take place at a palace in Gstaad on New Year’s Eve in 1999, with “Hotel guests coming from all over the world flock to the lavish dinner party, but the celebrations take an unexpected turn.”

← First Look: Nuri Bilge Ceylan’s ‘About Dry Grasses’‘Knock on the Cabin’ Gets Polarizing Reviews →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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