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Jeremy Saulnier’s ‘Slayground’ Teaser Is a Total Misdirection, but Is It Really Coming “This Fall"?

I should warn you: based on everything I’ve heard, this teaser is a total misdirection. The movie is not at all what it’s being portrayed as here. In fact, most of the footage in the teaser comes from the first few minutes of the film.

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David Fincher’s ‘The Further Mis-Adventures of Cliff Booth’ FINALLY Has A Trailer!

Netrflix finally decided to stop teasing us with cryptic teasers and given us an actual trailer for David Fincher's Quentin Tarantino-scripted 'Once Upon a Time... in Hollywood' sequel.

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Ben Wheatley to Direct ‘Fear The Reaper’ With James McAvoy

Here's a small scoop for Sunday night. Nothing too exciting, since it concerns the once-promising Ben Wheatley, a filmmaker who broke out with the cult-horror gut-punch of "Kill List" and "A Field in England.”

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The Debut’ Was the Toast of Telluride. Then the Rest of Us Saw It at TIFF — Moore Is Great, Movie Is Good

Eisenberg has made a surreal nightmare of a comedy, one that's a step up in polish. It helps that Moore is wildly unhinged here — this performance is something to see, and some of her strongest work in years.

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Jeremy Strong Went Full Zuckerberg on ‘The Social Reckoning' Set: “He Did Not Speak in His Own Voice”

Jeremy Strong is at it again. During the ‘Social Reckoning’ shoot he treated his co-stars "the way he imagined" Mark Zuckerberg would treat them. Strong, of course, plays the Meta CEO in the film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Ella McCay’ Met With RAVES in France: “Masterpiece!”

February 6, 2026 Jordan Ruimy

After 15 years away from directing, “Ella McCay” marks the return of James L. Brooks—once a great filmmaker whose latest film has been outright panned by U.S. critics (23% on Rotten Tomatoes).

It came to the point where the film, now hitting VOD, had its January 7 release canceled in France by Disney. Maybe that was a bad idea…

Why was its French release canceled? Nobody really knows. But French critics and audiences, who love their auteur cinema, have always had a sweet spot for Brooks, and they’ve now been completely taken by “Ella McCay,” which is getting near-unanimous raves over there.

The film currently holds an astonishing 4.3/5 average rating on AlloCiné, France’s equivalent to Rotten Tomatoes, which is a high enough score to stand among the very best-reviewed films of the last several years. The only other major releases from last year that had the same score with the French were “One Battle After Another” (4.7), “The Secret Agent” (4.6) and “Sirat” (4.3).

We have Telerama giving ‘Ella’ its highest possible rating—calling it a “masterpiece”—and, much like Premiere’s review, comparing it to Frank Capra. Meanwhile, Liberation is praising it as a “wonderful comedy,” a “philosophical tale with melancholic questioning and sublime dialogue,” and “deeply moving.” The high-brow outlet Les Inrockuptibles proclaims it to be “James L. Brooks’ new masterpiece,” saying it’s one of the best American films of 2025, alongside “One Battle After Another.”

Finally, the legendary Cahiers du Cinéma have nothing but praise for the film, calling it a “harmonious delight,” and their writeup has been submitted as a 5-star review on AlloCine.

‘Ella’ grossed only $3M worldwide against a $35M budget. It was an outright bomb. The current aggregate tally stands at 23% on Rotten Tomatoes and 39 on Metacritic. Too bad French critics don’t count in these aggregates—their reviews could have significantly boosted these weak scores.

Brooks, the filmmaker behind “Terms of Endearment,” “As Good as It Gets,” and “Broadcast News,” wrote and directed the romantic comedy about a young politician (Emma Mackey) who rises to become her state’s governor while navigating the challenge of balancing her demanding career with her family life. The cast includes Rebecca Hall, Jamie Lee Curtis, Woody Harrelson, Ayo Edebiri, Albert Brooks, Kumail Nanjiani, Jack Lowden, and Spike Fearn.

← ‘Remain’ Delayed to February 5, 2027 — Highest Tested Film of M. Night Shyamalan’s Career‘The Strangers: Chapter 3’ Bombs With Critics (13%) and Audiences ($450K) — Who Allowed Renny Harlin to Direct A Trilogy? →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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