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Warner Bros' Clockwork Survives Paramount Merger

Clockwork — Warner Bros’ A24-style indie labels— has new films from Sean Baker, Park Chan-wook, Noah Baumbach and Sean Penn set to enter production in 2027.

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Jonathan Glazer Confirms He's Writing His Next Film

Glazer directed just four features in 25 years: "Sexy Beast" (2000), "Birth" (2004), "Under the Skin" (2013) and "The Zone of Interest" (2023). That last one won the Grand Prix at Cannes and two Oscars.

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‘The Batman Part II’ Pauses Production as Matt Reeves Steps Away for Personal Reasons

Cameras had been rolling in London since May. The film is dated for February 18, 2028, and sources say it's too early to know whether the stoppage will push that.

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‘Sicario 3': Emily Blunt, Benicio del Toro and Josh Brolin to Star; Padraic McKinley (‘The Weight’) to Direct, Steven Knight Writing

Padraic McKinley, who directed this year's "The Weight," is on board to direct from a script by Oscar nominee Steven Knight, suggesting Taylor Sheridan's original draft has been set aside.

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Jeremy Strong Doesn't Feel He Needs to Apologize for His Method: "A Lot of the Reactions to It Are of a Personal Nature"

Jeremy Strong sat down with The New Yorker and got asked whether his much-talked-about method approach is bad for a set — he isn’t backing down.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Michael 2’ Will Explore Child Abuse Allegations From Michael Jackson’s “Point of View,” Jaafar Jackson Says

August 20, 2026 Jordan Ruimy

I don’t know about you, but I’m kind of looking forward to the “Michael” sequel. Whether Vantoine directs it or John Logan, it doesn’t matter—it’s an inevitable sh*tshow that will result from its making and release.

How can you possibly cover ’90s Michael Jackson without tackling the … spectacle that followed? The oxygen chamber; Neverland Ranch; the veils, the face masks, and the blatant plastic surgery that turned his appearance into a constantly shifting identity. Most of all, everyone involved will have to tackle all the allegations that plagued Jackson.

Of course, with the Jackson estate overseeing the IP, it will almost certainly be watered down. There’s no question about that. And if you had any doubt about that—which I doubt you ever did—then Jaafar Jackson has basically confirmed it.

In a new interview with GQ Middle East, Jackson says the sequel will be his uncle’s point of view on all the child abuse allegations.

I think the second film will give even more insight from his point of view, because at the end of the day, [the allegations] are always from someone else’s. It’s someone else’s story. It’s someone else’s idea of what it is, and it’s mainly driven by an agenda. And that’s really the issue we’ve been having as a family—not having Michael’s voice being heard. I think that’s very, very important, especially in the late years.

According to Jaafar, before the fame, before the headlines, there was Michael Jackson “the human.” The first film took audiences back to his roots, exploring the human being behind the legend and the journey that shaped him, and the sequel works on that.

He never changed that purity, that sense of always wanting to find the good in other people. And no matter all the stuff he went through, how he was treated, what things were said about him, he never stopped treating people with kindness. He never stopped believing in and wanting to look for the good in people… even though he was broken, his heart still stayed the same… I hope that this is felt in the second movie.

All the complaints from critics that “Michael” was sanitized may ultimately prove justified once the sequel arrives. However, much like the first film, audiences will still show up—they want to hear the great tunes. The difference is that, unlike the first film, this sequel will tackle a decade when the music was overshadowed by the drama.

Seeing this purely from the Jackson estate’s point of view, the sequel is a once-in-a-lifetime opportunity for them. The first film made well over $1 billion, and the sequel already has 30–40% of its scenes shot, which means it won’t cost as much to produce—they have nothing to lose here. Audiences will still show up, so they might as well make the sequel a total defense and supposed exoneration of Michael Jackson.

While Lionsgate has not disclosed a budget for the sequel, the first one cost $200M. “Michael 2” is targeting a production start toward “the end of 2026 or early 2027,” and the studio expects it to reach theaters sometime between late 2027 and early 2028.

← Johnny Depp’s Comeback?: ‘Ebenezer’ Tests Through the Roof for Paramount, ‘Pirates 6’ Role ConfirmedKathryn Bigelow’s ‘Strange Days’ Finally Getting 4K Physical Release →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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